Monday, May 07, 2007

BoSacks Speaks Out: Marketers to Mags: Give Guarantees or We'll Walk

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
"Heard on the Web" Media Intelligence:
Courtesy of BoSacks and The Precision Media Group
America's Oldest e-newsletter est.1993
BoSacks on the Web
The BoSacks Blog Spot
Click here to forward this email
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


BoSacks Speaks Out: Marketers to Mags: Give Guarantees or We'll Walk

Some of the concepts delivered herein are filled with BS, hot air, fluff, smoke and mirrors. Large publishers just don't get it. There are two things that a magazine must have to survive and prosper. A passionate and devoted readership, sometimes known as great content, and really honest and accurate accountability. That is it!

As I read this article I see all this old style posturing by the publishers on record in this article. DUH!

You are truly finished if you keep that up. Who are you kidding? Or are you just waiting for retirement and intend on ducking out the back door? This is now somehow like global warming, or a gazillion dollar deficit . . . fix it now, don't leave it to your grandchildren.

It is time to stand up and deliver. Deliver the facts, not the bull. Have confidence in your titles and let the accountability drift to real levels, in real time, in a real world. Truth is I don't think you really have a choice. There is way too much competition in the advertising world today, and you will either join the solution revolution or be nothing more than a footnote of a past and forgotten problem..


"If you don't want to work you have to work to earn enough money so that you won't have to work" Ogden Nash (American Writer of humorous poetry who won a large following for his audacious verse. 1902-1971)

Marketers to Mags: Give Guarantees or We'll Walk Exclusive: MediaVest Wields $900 Million to Land
Issue-By-Issue Circ Promises
By Nat Ives
http://adage.com/mediaworks/article? article_id=116544



NEW YORK (AdAge.com) -- Kraft, Wal-Mart and Coca- Cola are among the marketers that are prepared to stop spending in magazines if they don't get issue-by- issue circulation guarantees.

Media buyers long have been frustrated with many magazines' insistence on guaranteeing only average paid circulation -- instead of guaranteeing the paid circulation of specific issues in which ads actually appear. But now MediaVest USA has gathered support from heavyweight clients to make issue- specific guarantees a reality.

"Let me be clear that I am a print champion," said Robin Steinberg, senior VP-director of print investment and activation at MediaVest. "However, we believe that all publishers should make this guarantee, and we will walk away from business for those who don't." MediaVest spent about $900 million in consumer magazines on behalf of its clients last year.

New leverage
The new power play reflects the growing demand for precision metrics in the media business, a drive fueled by an internet model that seems to promise instant accountability. It is also, though, part of a broader regime change in the industry, one that has delivered dominance to advertisers from media owners. Marketers now have too many options and have found too many ways to sell themselves, beyond traditional advertising, for publishers or broadcasters to keep setting the agenda. There's a reason commercial ratings on TV have arrived at last: Advertisers seem to finally have enough leverage to force the issue.

"As somebody who's ultimately paying the bills, what I'm looking for is accountability and transparency," said Donna Campanella, executive director for global media at Avon, a MediaVest client. "We want to make sure that the impressions we were hoping to get for a particular issue have been delivered. Because what we advertise is coordinated with what's in our brochures, timeliness is important."

"In this age when there are so many choices out there, particularly in the digital arena, traditional media needs to step up and really prove their value, good or bad," Ms. Campanella added.

But change still doesn't come easily or instantly. Time Inc., the country's biggest magazine publisher, guarantees most advertisers an average paid circulation across the issues in which they buy space; if you buy into five issues, the company promises those five issues will achieve a certain average paid circulation.

Pressure
Anything else would only hike costs for everyone, said John Squires, senior exec VP at Time Inc., because publishers would pump up print runs to make sure not one issue falls even a percentage point shy of its rate base. "They want all guarantees and all protections at all times," he said of marketers and media buyers. "That just kind of forces a completely unrealistic expectation on our business. We do have to concentrate on some efficiencies."

Publishers don't get any reward when magazines sell more copies than guaranteed, Mr. Squires noted. And swings of 50,000 copies in newsstand sales at magazines that consistently sell millions can't be the top challenge in marketing right now. "In these times, in this world, with the kind of competitive pressure that there is on publishers already and the intense pressure on rates, is this really a big issue?" he asked.

Ms. Steinberg said advertisers need protection against tactics publishers can use to meet average guarantees. A few titles have made up for shortfalls early in the standard six-month reporting periods by drastically increasing their use of copies -- called "verified" by auditors -- that are distributed in hair salons, doctors' offices and so on. "Verified circulation was put forth with the notion that publishers would use and place these copies strategically and with transparency," she said. "However, we believe the proper use is not taking place, and the current use is to make up for rate base underdelivery from newsstand decline."

A challenge from Hachette
Hachette Filipacchi Media U.S., publisher of magazines such as Elle and Car and Driver, already has started selling its men's enthusiast titles against issue-specific guarantees and is considering doing the same across its portfolio next year. But if Jack Kliger, president-CEO, is going to meet the buyers' challenge, he has one of his own for them.

"Issue-specific circulation-based pricing, to me, is an interim step to issue-specific audience-circulation guarantees," he said. That is to say, once the industry can better measure how many people see an issue, whether they borrow it from a friend or read a public- place copy, media buyers should drop this obsession with refining paid-circulation metrics. "It's like trying to make the kerosene lamp produce more light because that's what we're familiar with," Mr. Kliger said, "and don't trust this newfangled electricity thing."

Original Source Link


Responses to all Articles and Bo-Rants are greatly encouraged and may be included in " BoSacks Readers Speak Out"

"Heard on the Web" Media Intelligence: Courtesy of The Precision Media Group.
Print, Publishing and Media Consultants Contact - Robert M. Sacks 518-329-7994 PO Box 53, Copake NY 12516


Publishing Links and News
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
  • BoSacks Blog
  • The New BoSacks Archives
  • Publishing Executive Magazine
  • The Official Site of Samir "Mr. Magazine" Husni
  • The New Single Copy
  • Who Is BoSacks?
  • PIB REVENUE & Pages


  • Contact Information
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
    phone: 518-329-7994
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    This email was sent to bosacks.tobor@blogger.com, by bosacks@aol.com

    Precision Media Group | PO Box 53 | Copake | NY | 12516

    A Beloved Mag's Painful Lessons

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
    "Heard on the Web" Media Intelligence:
    Courtesy of BoSacks and The Precision Media Group
    America's Oldest e-newsletter est.1993
    BoSacks on the Web
    The BoSacks Blog Spot
    Click here to forward this email
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


    "We want only loyal workers who are grateful from the bottom of their hearts for the bread which we let them earn"
    Gustav Krupp

    A Beloved Mag's Painful Lessons
    What media companies can learn from the rise and fall of the much-beloved teen mag Sassy

    http://www.businessweek.com/magazine/content/07_2 0/b4034031.htm

    Not every magazine that rarely made a buck and died young gets a wet kiss of a book written about it, so tip your hat to Sassy (1988-96), the teen title whose story is recounted and memorialized in Kara Jesella and Marisa Meltzer's new How Sassy Changed My Life.

    During Sassy's brief, underfunded existence, it shot to a circulation of 800,000 pretty quickly, but didn't score ads as easily (and went through three owners). Sassy came and went while a subset of young America remade media via indie music labels and photocopied 'zines. Despite its glossy-mag garb, Sassy resonated with this culture, which gave the mag a similar secret-handshake signifier of status among its acolytes.

    There is something heartbreakingly familiar, something very "After School Special," in Sassy's saga. Smart young outsiders start something, do a bang-up job-and remain marginalized by the mainstream. Sassy taught a difficult lesson that remains valid: What's culturally significant can be lousy business, and often requires a pivot from a property's founding vision to be successful. For those who bonded most intensely with Sassy, this lesson was all the more painful because that bond was so deeply felt.

    PLAINLY GEARED TO OUTSIDER TEENS, Sassy was born in a pre-Web world, when there were no fancy interactive ways to find like-minded souls, back when such teens needed a campfire like Sassy's to encircle. These teens found each other with a giddy relief, and also shared a grievance against those not in their club. Both qualities were never far from Sassy's surface. These traits, and being simpatico with the indie movement, endeared it to twenty- and thirtysomething white urban hipsters, too. This ensured geek-chic status, but even some Sassy-ites wondered how hipster cred helped a magazine intended for a mass-market audience of teen girls. "I don't think it's the only factor, but one could argue that Sassy cooled itself to death," says Kim France, a former staff writer who now edits shopping magazine Lucky.

    There are media properties that mark cultural moments and ones that go on to become good businesses, but one cold reality about mass media is that what draws purists and early adopters is often not what equals boffo box office. Histories of other zeitgeisty magazines confirm this. Wired, which I admire, is today far removed from the utopianism and outré layouts of its early issues. Now, much of it is about business and tech toys. Today's Rolling Stone is light-years away from its overtly underground beginnings. (Its debut issue was packaged with a roach clip.) Sassy's turn toward more mainstream mores was clumsy and late, courtesy of an owner that in essence (foolishly) fired all veteran staffers. Sassy's founding editor, Jane Pratt, who now hosts a talk show on Sirius (SIRI ) Satellite Radio, tweaked her formula when she started young-women's title Jane. "I made a conscious decision to do a different kind of magazine-one that was an alternative to what was out there, but in such a way to be appealing to advertisers," she says today. A rare recent teen-mag hit, CosmoGirl!, hit it big by wrapping Sassy's geek- friendly vibe in a more mainstream sheen.

    Today, an autumnal chill has descended on teen magazines as readers flock to the Web. Two of Sassy's three main rivals, Teen and YM, are gone, as are Teen People and Elle Girl, two titles that followed Sassy. But nothing, then or since, looked or sounded like Sassy. (Perhaps they learned from Sassy's failure to expand a tightly proscribed niche.) Pratt recalls conversations with Sassy-ites in which everyone agreed it's better to be a fondly remembered, defunct magazine than "an O.K. magazine that sticks around for a long time." In the end, Sassy was a band, not a brand. A moment, not a media business. And what cultural moment is more keenly remembered than one that's irretrievably lost-one you can pine for forever, like a lovesick teen alone in the night?

    For Jon Fine's blog on media and advertising, go to www.businessweek.com/innovate/FineOnMedia

    Original Source Link


    Responses to all Articles and Bo-Rants are greatly encouraged and may be included in " BoSacks Readers Speak Out"

    "Heard on the Web" Media Intelligence: Courtesy of The Precision Media Group.
    Print, Publishing and Media Consultants Contact - Robert M. Sacks 518-329-7994 PO Box 53, Copake NY 12516


    Publishing Links and News
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
  • BoSacks Blog
  • The New BoSacks Archives
  • Publishing Executive Magazine
  • The Official Site of Samir "Mr. Magazine" Husni
  • The New Single Copy
  • Who Is BoSacks?
  • PIB REVENUE & Pages


  • Contact Information
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
    phone: 518-329-7994
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    This email was sent to bosacks.tobor@blogger.com, by bosacks@aol.com

    Precision Media Group | PO Box 53 | Copake | NY | 12516

    Circulation figures don't tell whole story

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
    "Heard on the Web" Media Intelligence:
    Courtesy of BoSacks and The Precision Media Group
    America's Oldest e-newsletter est.1993
    BoSacks on the Web
    The BoSacks Blog Spot
    Click here to forward this email
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


    "Luck is not chance - It's Toil - Fortune's expensive smile Is earned" Emily Dickinson (American Poet who has been called the New England mystic, 1830-1886)

    Circulation figures don't tell whole story
    by Earl Maucker
    Editor
    http://www.sun- sentinel.com/news/opinion/columnists/sfl- emcol06may06,0,1139889,print.column

    Back in the 1960s when I was a paperboy for the Alton Telegraph, I used to groan each time I received a new subscription order. One more paper to deliver, I thought, more weight in the bag, more time on the route -- less time for play.

    Ah, for the good old days of circulation growth.

    Fast forward to 2007 and once again we're reminded in stories this week that circulation of newspapers across the U.S. is in decline.

    Pretty dismal stuff, it would seem.

    But wait. Let's take a deeper look at the facts before we start writing off the future of newspapers.

    Yes, circulation figures are dropping in most regions of the United States. That's hardly surprising in today's environment, with so much media fragmentation, so many ways to get news and information.

    In reality, some of the circulation declines are deliberate, as publishers seek value from papers they do distribute.

    More and more newspaper companies are limiting or eliminating entirely the newspapers they give away for free or at a major discount because, generally, those newspapers are not well read.

    But beyond the number of newspapers in the market, experts and analysts in the business say newspaper advertisers care more about readership, which measures whether people are actually reading the paper instead of tossing it into the recycle bin without so much as a glance.

    Our focus here at the Sun-Sentinel has been on home delivery or single copy sales, areas where we believe there is substantial value.

    The agency that monitors circulation of newspapers is the Audit Bureau of Circulation, which, in my opinion, is still back in the 1960s in the way they count and report numbers.

    Sure, they break it down even to the zip code level. They calculate circulation in the primary region and secondary regions of the newspaper's market, individually paid subscriptions, bulk sales, third-party sales and a host of other metrics including total readers of the daily newspaper.

    But what they don't report is the total audience a media company like the Sun-Sentinel reaches through its various publications and electronic channels.

    Even with fewer copies on the street, our readership is up from what it was two years ago.

    The published audits do not take into account the impact of the Internet or subsidiary publications.

    We, like most major newspaper companies, are major players in this relatively new, still-evolving medium.

    For us, it's Sun-Sentinel.com

    Which, by the way, has grown in audience traffic every year it's been in operation.

    "We're seeing good audience growth online. So far this year, our Sun-Sentinel.com page views -- one way we measure our audience -- are up more than 12 percent over the same time in 2006," said Kathy Skipper, vice president & general manager for Sun- Sentinel Interactive. "We believe several things are contributing to this growth -- regular news updates, more video and more databases that are focused on helping consumers.

    Combined with millions of page views per month on our Internet site and the distribution of our main newspaper, plus niche products like the Jewish Journal, City & Shore magazine, City Link, Teen Link and other products, our total audience reach has grown tremendously over the past few years.

    "We recognize that in order to reach our audience effectively we must serve our customers on multiple platforms," said our General Manager Howard Greenberg. "Through Forum Publishing we have the largest family of weekly community publications in South Florida as well as the largest Spanish language audience in the Broward-Palm Beach market through el Sentinel, our Spanish language weekly."

    No one is denying that newspapers are dealing with enormous challenges in today's world of fragmented media and the influence of the Internet.

    But newspapers and the journalists that work on them have a healthy future ahead, as we transform our business to the new world of multiple media.

    The good news is that the appetite for news has never been more robust.

    We intend to serve our customers the way they like it.

    Original Source Link


    Responses to all Articles and Bo-Rants are greatly encouraged and may be included in " BoSacks Readers Speak Out"

    "Heard on the Web" Media Intelligence: Courtesy of The Precision Media Group.
    Print, Publishing and Media Consultants Contact - Robert M. Sacks 518-329-7994 PO Box 53, Copake NY 12516


    Publishing Links and News
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
  • BoSacks Blog
  • The New BoSacks Archives
  • Publishing Executive Magazine
  • The Official Site of Samir "Mr. Magazine" Husni
  • The New Single Copy
  • Who Is BoSacks?
  • PIB REVENUE & Pages


  • Contact Information
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
    phone: 518-329-7994
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    This email was sent to bosacks.tobor@blogger.com, by bosacks@aol.com

    Precision Media Group | PO Box 53 | Copake | NY | 12516

    Marketers to Mags: Give Guarantees or We'll Walk

    Marketers to Mags: Give Guarantees or We'll Walk
    Exclusive: MediaVest Wields $900 Million to Land Issue-By-Issue Circ Promises
    By Nat Ives
    http://adage.com/mediaworks/article?article_id=116544

    NEW YORK (AdAge.com) -- Kraft, Wal-Mart and Coca-Cola are among the marketers that are prepared to stop spending in magazines if they don't get issue-by-issue circulation guarantees.
    Robin Steinberg, senior VP-director of print investment and activation at MediaVest, insists that magazines should make issue-by-issue circulation guarantees to marketers.

    Media buyers long have been frustrated with many magazines' insistence on guaranteeing only average paid circulation -- instead of guaranteeing the paid circulation of specific issues in which ads actually appear. But now MediaVest USA has gathered support from heavyweight clients to make issue-specific guarantees a reality.

    "Let me be clear that I am a print champion," said Robin Steinberg, senior VP-director of print investment and activation at MediaVest. "However, we believe that all publishers should make this guarantee, and we will walk away from business for those who don't." MediaVest spent about $900 million in consumer magazines on behalf of its clients last year.

    New leverage
    The new power play reflects the growing demand for precision metrics in the media business, a drive fueled by an internet model that seems to promise instant accountability. It is also, though, part of a broader regime change in the industry, one that has delivered dominance to advertisers from media owners. Marketers now have too many options and have found too many ways to sell themselves, beyond traditional advertising, for publishers or broadcasters to keep setting the agenda. There's a reason commercial ratings on TV have arrived at last: Advertisers seem to finally have enough leverage to force the issue.

    "As somebody who's ultimately paying the bills, what I'm looking for is accountability and transparency," said Donna Campanella, executive director for global media at Avon, a MediaVest client. "We want to make sure that the impressions we were hoping to get for a particular issue have been delivered. Because what we advertise is coordinated with what's in our brochures, timeliness is important."

    "In this age when there are so many choices out there, particularly in the digital arena, traditional media needs to step up and really prove their value, good or bad," Ms. Campanella added.

    But change still doesn't come easily or instantly. Time Inc., the country's biggest magazine publisher, guarantees most advertisers an average paid circulation across the issues in which they buy space; if you buy into five issues, the company promises those five issues will achieve a certain average paid circulation.

    Pressure
    Anything else would only hike costs for everyone, said John Squires, senior exec VP at Time Inc., because publishers would pump up print runs to make sure not one issue falls even a percentage point shy of its rate base. "They want all guarantees and all protections at all times," he said of marketers and media buyers. "That just kind of forces a completely unrealistic expectation on our business. We do have to concentrate on some efficiencies."

    Publishers don't get any reward when magazines sell more copies than guaranteed, Mr. Squires noted. And swings of 50,000 copies in newsstand sales at magazines that consistently sell millions can't be the top challenge in marketing right now. "In these times, in this world, with the kind of competitive pressure that there is on publishers already and the intense pressure on rates, is this really a big issue?" he asked.

    Ms. Steinberg said advertisers need protection against tactics publishers can use to meet average guarantees. A few titles have made up for shortfalls early in the standard six-month reporting periods by drastically increasing their use of copies -- called "verified" by auditors -- that are distributed in hair salons, doctors' offices and so on. "Verified circulation was put forth with the notion that publishers would use and place these copies strategically and with transparency," she said. "However, we believe the proper use is not taking place, and the current use is to make up for rate base underdelivery from newsstand decline."

    A challenge from Hachette
    Hachette Filipacchi Media U.S., publisher of magazines such as Elle and Car and Driver, already has started selling its men's enthusiast titles against issue-specific guarantees and is considering doing the same across its portfolio next year. But if Jack Kliger, president-CEO, is going to meet the buyers' challenge, he has one of his own for them.

    "Issue-specific circulation-based pricing, to me, is an interim step to issue-specific audience-circulation guarantees," he said. That is to say, once the industry can better measure how many people see an issue, whether they borrow it from a friend or read a public-place copy, media buyers should drop this obsession with refining paid-circulation metrics. "It's like trying to make the kerosene lamp produce more light because that's what we're familiar with," Mr. Kliger said, "and don't trust this newfangled electricity thing."

    Circulation figures don't tell whole story

    Circulation figures don't tell whole story
    Earl Maucker
    Editor
    http://www.sun-sentinel.com/news/opinion/columnists/sfl-emcol06may06,0,1139889,print.column

    Back in the 1960s when I was a paperboy for the Alton Telegraph, I used to groan each time I received a new subscription order. One more paper to deliver, I thought, more weight in the bag, more time on the route -- less time for play.

    Ah, for the good old days of circulation growth.

    Fast forward to 2007 and once again we're reminded in stories this week that circulation of newspapers across the U.S. is in decline.

    Pretty dismal stuff, it would seem.

    But wait. Let's take a deeper look at the facts before we start writing off the future of newspapers.

    Yes, circulation figures are dropping in most regions of the United States. That's hardly surprising in today's environment, with so much media fragmentation, so many ways to get news and information.

    In reality, some of the circulation declines are deliberate, as publishers seek value from papers they do distribute.

    More and more newspaper companies are limiting or eliminating entirely the newspapers they give away for free or at a major discount because, generally, those newspapers are not well read.

    But beyond the number of newspapers in the market, experts and analysts in the business say newspaper advertisers care more about readership, which measures whether people are actually reading the paper instead of tossing it into the recycle bin without so much as a glance.

    Our focus here at the Sun-Sentinel has been on home delivery or single copy sales, areas where we believe there is substantial value.

    The agency that monitors circulation of newspapers is the Audit Bureau of Circulation, which, in my opinion, is still back in the 1960s in the way they count and report numbers.

    Sure, they break it down even to the zip code level. They calculate circulation in the primary region and secondary regions of the newspaper's market, individually paid subscriptions, bulk sales, third-party sales and a host of other metrics including total readers of the daily newspaper.

    But what they don't report is the total audience a media company like the Sun-Sentinel reaches through its various publications and electronic channels.

    Even with fewer copies on the street, our readership is up from what it was two years ago.

    The published audits do not take into account the impact of the Internet or subsidiary publications.

    We, like most major newspaper companies, are major players in this relatively new, still-evolving medium.

    For us, it's Sun-Sentinel.com

    Which, by the way, has grown in audience traffic every year it's been in operation.

    "We're seeing good audience growth online. So far this year, our Sun-Sentinel.com page views -- one way we measure our audience -- are up more than 12 percent over the same time in 2006," said Kathy Skipper, vice president & general manager for Sun-Sentinel Interactive. "We believe several things are contributing to this growth -- regular news updates, more video and more databases that are focused on helping consumers.

    Combined with millions of page views per month on our Internet site and the distribution of our main newspaper, plus niche products like the Jewish Journal, City & Shore magazine, City Link, Teen Link and other products, our total audience reach has grown tremendously over the past few years.

    "We recognize that in order to reach our audience effectively we must serve our customers on multiple platforms," said our General Manager Howard Greenberg. "Through Forum Publishing we have the largest family of weekly community publications in South Florida as well as the largest Spanish language audience in the Broward-Palm Beach market through el Sentinel, our Spanish language weekly."

    No one is denying that newspapers are dealing with enormous challenges in today's world of fragmented media and the influence of the Internet.

    But newspapers and the journalists that work on them have a healthy future ahead, as we transform our business to the new world of multiple media.

    The good news is that the appetite for news has never been more robust.

    We intend to serve our customers the way they like it.

    Sunday, May 06, 2007

    Publishers Hear Digital Fingerprinting Pitch

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
    "Heard on the Web" Media Intelligence:
    Courtesy of BoSacks and The Precision Media Group
    America's Oldest e-newsletter est.1993
    BoSacks on the Web
    The BoSacks Blog Spot
    Click here to forward this email
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


    "The man who acquires the ability to take full possession of his own mind may take possession of anything else to which he is justly entitled."
    Andrew Carnegie (Scottish born American Industrialist and Philanthropist. 1835-1919)

    Publishers Hear Digital Fingerprinting Pitch
    by Karlene Lukovitz
    http://publications.mediapost.com/index.cfm? fuseaction=Articles.san&s=59820&Nid=30069&p=204 904

    WATCHING GOOGLE AND VIACOM DUKE it out in court is interesting, but in the real world, publishers and other site owners are more interested in finding a practical way to monitor who's using their content and either get some reimbursement or get it off the Web.

    As the business world read about Google/YouTube filing for a dismissal of Viacom's $1 billion copyright infringement suit earlier this week, a group of publishing executives gathered at a Magazine Publishers of America "Meet the Innovators" session to hear a pitch for one potential answer.

    Attributor Corp., a privately held Redwood City, CA company started by Silicon Valley executives, is testing technology that scans and captures digital "fingerprints"--or identifying characteristics--of text, images and audiovisual content and then continuously scans its index of the Web to pick up matches.

    The company claims that the system can spot content reuse within just about any Web area/format, including RSS feeds, self-published sites, social networks, advertising networks, search engines and aggregators, based on a few text sentences, bits of an image, or seconds of an audio/video clip.

    Attributor doesn't claim to know exactly what is and is not "fair use" under the evolving legal precedents surrounding the Digital Millennium Copyright Act; rather, the system employs a site owner's own specified criteria to generate automatic responses to identified instances of reuse, explained CEO Jim Brock, a former Yahoo copyright counsel who co- founded Attributor in 2005 with Silicon Valley entrepreneur Jim Pitkow.

    Depending on the scenario (the percentage of content used, whether it's being used for commercial purposes, etc.), a content reuser might, for instance, receive a request to remove content, or a proposal to allow continuing reuse of the content in return for giving the originator a portion of advertising revenue or licensing fees. A single console provides the site owner with ongoing monitoring of each issue's status until there is some kind of resolution.

    Site owners can also employ a searchable public registry that allows anyone wishing to republish content to identify the owner and seek a licensing agreement.

    In short, Attributor may present a more streamlined and wide-ranging solution than existing content monitoring systems like Indigo Stream Technologies' Copyscape, which relies on Google's search engine to seek out unauthorized uses.

    Attributor is now in beta with several "large, international publishers," and is taking requests to generate free trial reports for interested publishers while the development phase continues, Brock said. Between 40 and 45 million Web pages per day are being added to the system through RSS feeds and periodic content scanning/conversions, he added.

    In December, the company announced that it had received $10 million in funding to date from investors including Sigma Partners, Draper Richards LP, First Round Capital, Amicus and Selby Venture Partners.

    Where does Brock think digital fair use definitions are headed? "At this point, nobody can say that a certain percentage of an article equates or does not equate to fair use," he says. "It's still subjective under the law. But once we have the systems in place for transparency, we believe those standards will evolve."

    Meanwhile, he says, "if from a business standpoint, it's not fair use by your standards, you can address that, negotiate, respond as you see fit." For example, if no attribution is provided, a significant portion of a given piece of content is being used, and it's being used for commercial purposes, "then you've got three indicators that might set off a 'ding, ding, ding,'" Brock notes.

    Original Source Link


    Responses to all Articles and Bo-Rants are greatly encouraged and may be included in " BoSacks Readers Speak Out"

    "Heard on the Web" Media Intelligence: Courtesy of The Precision Media Group.
    Print, Publishing and Media Consultants Contact - Robert M. Sacks 518-329-7994 PO Box 53, Copake NY 12516


    Publishing Links and News
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
  • BoSacks Blog
  • The New BoSacks Archives
  • Publishing Executive Magazine
  • The Official Site of Samir "Mr. Magazine" Husni
  • The New Single Copy
  • Who Is BoSacks?
  • PIB REVENUE & Pages


  • Contact Information
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
    phone: 518-329-7994
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    This email was sent to bosacks.tobor@blogger.com, by bosacks@aol.com

    Precision Media Group | PO Box 53 | Copake | NY | 12516

    E-Media, Postal Rates on the Minds of Western Publishers

    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
    "Heard on the Web" Media Intelligence:
    Courtesy of BoSacks and The Precision Media Group
    America's Oldest e-newsletter est.1993
    BoSacks on the Web
    The BoSacks Blog Spot
    Click here to forward this email
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


    "It is easy when we are in prosperity to give advice to the afflicted."
    Aeschylus (Ancient Greek Dramatist and Playwright known as the founder of Greek tragedy, 525 BC-456 BC)

    E-Media, Postal Rates on the Minds of Western Publishers
    By Tony Silber
    http://www.foliomag.com/viewmedia.asp? prmMID=7662


    Is the postal-rate hike scheduled for July really as bad as it seems? Not according to several of the participants in a Western Publications Association seminar held last week for executive-level magazine managers.

    In the session, which was part of the association's annual Two-Day Publishing Conference, the topic of postal rates came up as part of a wide-ranging discussion that included sales compensation, flex- time, partnerships and, of course, e-media. Although it was brief, the postal-rate discussion was telling: With rates for b-to-b especially likely to increase by as much as 15 percent to 18 percent, many of the publishers in the room saw it only as an unpleasant cost of doing business. "It's an increase of 15 percent in a cost that is usually less than 3 percent of your total cost structure," said Joe Hanson, CEO of Professional Media Group and one of the speakers. Other speakers spent some time debating whether the cost savings provided by such techniques as co- mailing and co-palletization were offset by the fees charged by the supplier to do them.

    Overall. this year's WPA conference, the key regional event for publishers on the West Coast, was focused mostly on e-media, at least in the general sessions. For example, 1105 Media CEO Neal Vitale and BPA Worldwide CEO Glenn Hansen gave powerful presentations at the annual VIP panel. Vitale offered an eight-point framework for a successful e-media strategy.

    · Make sure the sale is integrated. "It's better to have one person talking about our products than having separate sales teams that potentially compete," Vitale said. He did make an exception for live events, noting that the sell is fundamentally different.

    · Have an in-house e-media guru. "You need a chief catalyst within the organization," he said. This also helps to cross-pollenate ideas within the organization from division to division."

    · Experimentation is a good thing. "Things like mashups and other online applications-you have to be talking about these things," Vitale said. "You may not succeed with some of them, but you should be part of it-and you also have marketers that want to try new things."

    · Be wary of the quality of back-end support. "A lot of this looks easy," Vitale said. "It's not. It's not easy to be up to speed on content-management systems and technology capabilities and needs, while also running a publishing company. It's also an interesting question whether you can build a CMS and other capabilities in house and also provide value to the marketplace. The jury is out."

    · Band-Aids don't work. You'll be doing makegoods galore, Vitale said.

    · Online is NOT a value-add. "It is a fundamentally important part of the marketing program," Vitale said.

    · Markets and industries develop at different paces. "You really need to keep pace with the markets you serve and act accordingly," Vitale said.

    · The business has not changed. "This is still the same old business," he said. E-media is a new medium, but it's the same song."

    For his part, Hansen stressed two things: Integration and developing analytic skill with all the new database information being collected through online channels. "No one is taking the time to think about how we are going to integrate the back ends of these things and develop intelligence about who's seeing what," he said.

    Beyond that, he said, traditional media metrics are eroding, underscoring how the whole media landscape is changing. "You're not a print product competing with another print product in the same SRDS category," Hansen said. "You're competing against all sorts of media you never thought about."

    In terms of tracking media, even the seemingly highly measurable world of online is not infallible. "You're seeing conjecture posing as fact," Hansen said, quoting a media director he'd heard recently.

    What's more, he said, the younger generation does not look with the same perspective as you do regarding your "near-and-dear" brand. "Your key to success is getting the old guard up to the level of the new guard, and the new guard down to the old."

    Many of the WPA attendees seemed to be somewhat early on in their e-media strategies, something conference chairman Peter Çraig acknowledged. "My sense was that they are as concerned as anybody else about e-media, but I guess they're not early adopters for the most part. And at the same time, some of the panelists [who focused on e-media] were representative of the industry, but they're not representative of the whole industry," Craig said. "The point is, you have to get into the game. The biggest mistake is not playing."

    That said, Craig added, publishers need to be wary about their revenue mix as they move online. "If you take 20 percent of your readers add move them online, do you take 20 percent of your revenue with you? I don't think so. If you get on the digital train, it may not be going where you think it's going. You'll end up in Poughkeepsie."

    The WPA conference traditionally ends with the Maggie Awards for design and editorial excellence. And one of the staples of that ceremony is the opening speech by Craig, usually a highly political commentary that is one of the unique moments in the magazine industry. This year, he toned it down, exhorting the audience to get involved in e-media, but also asking whether the rise of e-media and citizen journalism is symptomatic of the decline of traditional journalism. "It seems like journalism has lost its real purpose and sacrificed its sacred trust," Craig said. " Fair and balanced journalism in this country is suffering from loss of its real purpose in exchange for entertainment value and slanted reporting. It is no wonder that public confidence in traditional news sources has eroded and the public has a perception of bias and partisanship in the press."

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    Where The Book Business Is Humming

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    "The oldest books are only just out to those who have not read them."
    Samuel Butler (English novelist, essayist and critic, 1835-1902)

    Where The Book Business Is Humming
    Bertelsmann is making a bundle off Old Media in former Soviet bloc countries

    http://www.businessweek.com/print/magazine/content/ 07_20/b4034065.htm?chan=gl

    You wouldn't typically expect to find a high-profile executive of a major media company in drab Kharkiv. The gritty city of 1.5 million is the kind of place where local leaders haven't yet gotten around to tearing down statues of Lenin, and outside Ukraine it's best known (if it's known at all) for the Red Army tanks it used to make. But on a sunny April afternoon, Ewald Walgenbach, a member of the executive board of Germany's Bertelsmann, smiles as he watches a battered steam shovel ladle bricks onto a dump truck at a dilapidated factory that's being converted into a distribution center for the company's Family Leisure book club. Above the din, Oleg Shpilman, CEO of the Ukrainian unit, shouts that the new facility will be able to ship 20 million books a year. "What will happen next year when you have 21 million?" Walgenbach replies with a laugh.

    Optimism about the printed word is pretty rare these days. In fast-modernizing Ukraine, though, Bertelsmann is enjoying dot-com-like expansion for its book club, a category that's a slow- or no-growth proposition in the U.S. and Western Europe. Family Leisure moved 12 million books last year-everything from cookbooks to local potboilers to Stephen King thrillers-while sales grew 55%, to $50 million. Today, Bertelsmann is Ukraine's biggest bookseller, with 12% of the market. And the operation enjoys profit margins that are triple the 4% global average for similar Bertelsmann units, which include the Book-of- the-Month Club and Literary Guild in the U.S.

    Ukraine is the most spectacular example of Bertelsmann's success with book clubs in the former Soviet bloc. And it's proving that with the right mix of marketing and merchandise, there's money to be made even with low-cost goods. The region has well- educated populations hungry for a good read but relatively few bookstores where they can indulge their passion. As a result, Bertelsmann has also become the biggest book publisher in the Czech Republic and has scored big successes in Poland, Russia, and elsewhere.

    The book clubs are part of a broader trend of booming print media in the developing world. In India, newspapers are thriving, with Mumbai alone boasting a half-dozen major dailies. Swiss magazine giant Ringier saw 18% sales growth last year from its lifestyle publications in Vietnam. In Argentina, the number of books published has more than doubled since 2002. And emerging markets are also proving lucrative for another Bertelsmann unit, Gruner + Jahr, which is the second-largest magazine publisher in China via a joint venture.

    TEXTING THE ORDERS
    Bertelsmann's allegiance to Old Media in newer markets is paying off in other ways. In the U.S., its book clubs tend to serve older customers. By contrast, nearly half the Family Leisure Club's 2 million members (in a nation of 47 million) are under 30. The secret: The Bertelsmann club recruits hot young Ukrainian authors and serves as their exclusive distributor, a smart strategy in a country with only about 300 bookstores. "They're very effective, much more than other publishers," says Ljubko Deresch, an intense 23-year-old who has published five novels- the latest with Bertelsmann-dealing with youthful disenchantment and pop culture.

    Keeping prices low is crucial. The average Ukrainian makes less than $8,000 per year, and in Kharkiv, Bertelsmann's main competition is an open-air book market. Dozens of merchants in corrugated metal stalls sell everything from textbooks to science fiction. Family Leisure titles typically go for under $5, competitive with the outdoor market. Then to keep costs down, the club delivers shipments to post offices, where customers claim their books.

    No doubt Bertelsmann would like to bottle its Ukraine formula for export to other countries. Although few offer such a favorable mix of book-hungry citizens, cooperative postal authorities, and energetic local management, some innovations from Ukraine can travel. Customers there, for instance, are world leaders in ordering via mobile-phone text messages, a promising e-commerce strategy in poorer countries where few can afford Internet access. Says Shpilman: "Our goal is not to be a book club, but an integrated bookseller."

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    Saturday, May 05, 2007

    What to Do When Rupert Calls?

    What to Do When Rupert Calls?
    ANDREW ROSS SORKIN
    http://www.nytimes.com/2007/05/06/business/yourmoney/06deal.html?_r=1&adxnnl=1&oref=slogin&ref=yourmoney&adxnnlx=1178403919-NiDbnjLQqY6pQzLHofJHrQ

    I DON’T regularly watch the Fox News Channel, but when I do, I hardly think it is “fair and balanced.” I confess to reading The New York Post, but more as a delicious treat than a trusted news source. When I lived in London, I picked up The Times of London on my way to work every morning, but felt that the once-august publication had moved a bit down-market.

    As we all know, Rupert Murdoch is the owner and steward of each of those media enterprises. And the Bancrofts, the family that is the controlling shareholder of Dow Jones, last week found themselves in a difficult position — forced to consider selling the family’s beloved journalistic jewels to Mr. Murdoch, and not just because his offer of $60 a share is so extraordinarily large.

    With some hesitation, given Dow Jones’s storied place in American journalism, let me explore a contrarian view: Mr. Murdoch may be the perfect publisher of The Wall Street Journal.

    First, a couple of stipulations: Dow Jones, like the entire newspaper industry, is struggling. It is suffering a slow decline by a thousand cutbacks, notably abroad, where the company has retreated from building its European and Asian editions of The Journal. The company’s staff, like the physical dimensions of the daily newspaper, has been reduced.

    Many Journal reporters and editors have bridled at the prospect of a takeover. Jesse Drucker, a Journal reporter and representative of the paper’s union, sounded the alarm in an e-mail message to his colleagues courting them to protest the deal. In his message, he suggested that the Bancrofts’ opposition so far to a deal “indicates that they are committed to maintaining the quality of The Wall Street Journal and all of Dow Jones’ publications and products.”

    But an uncomfortable truth remains. The current state of financial affairs — caused by the continuing withering of print advertising revenues, shifting reader demographics and the seismic upheaval of the Internet — has made it extremely hard to continue “maintaining the quality” of The Journal (despite its clutch of Pulitzers) because sources of fresh investment funds are drying up. Dow Jones’s cash reserves have been further strained by the hefty dividends the Bancrofts have pushed for over the years. (Big dividends are in vogue in some newspaper quarters; The New York Times Company, for example, recently raised its dividend.)

    So along comes Mr. Murdoch, who says he plans to invest more money in Dow Jones than anyone else imaginable. During an interview in his office on Thursday afternoon, he had this to say of the $5 billion price tag he had just attached to Dow Jones: “We don’t see that as the total investment at all.” In other words, even more money is on the way.

    Mr. Murdoch spoke enthusiastically about opening new bureaus and expanding others. He wants to reverse The Journal’s diminished international strategy by investing heavily in the paper in Europe and Asia. He says he is spoiling for a fight with The Financial Times, in much the same way that he took the left-for-dead Times of London and made it a real competitor to The Telegraph. He talked about spending money on marketing and on greatly expanding The Journal’s brand online, leveraging the many media businesses he owns around the world.

    The Bancrofts — like the Grahams, who own The Washington Post, and the Sulzbergers, who own this newspaper — are part of an important, even noble, tradition: family ownership of media enterprises dedicated to probing, sophisticated coverage of the world around them. Mr. Murdoch, for the most part, is part of a different journalistic tradition: sensationalism. So the Bancrofts, on journalistic grounds, have good reason to be wary of Mr. Murdoch.

    Mr. Murdoch is also part of another tradition: farsighted, creative and risky business gambits. He has made piles of money by thinking ahead of many of his competitors. The Bancrofts have presided over a company that once held a dominant position in business journalism, and they let that lead, and the financial gains that came with it, slip through their hands.

    As they confront their continuing financial challenges, the Bancrofts can sit around and pray that a deep-pocketed white knight emerges — Warren E. Buffett, Bill Gates or The Washington Post are said by insiders to be favored choices — but it’s hard to think that even if such potential suitors did buy it they would seriously invest in the business the way Mr. Murdoch claims he would. It could result in just another holding pattern.

    The Bancroft family certainly faces a difficult choice, in no small part because Mr. Murdoch, despite promising to insulate The Journal by giving the paper a separate board, may still turn The Journal into the kind of media circus we otherwise know as Fox News and The New York Post. Still, it’s curious that the Dow Jones board has not pushed the Bancrofts harder to at least engage in discussions — because it’s so clear that if the board had considered Mr. Murdoch’s offer in a vacuum, it would have accepted it faster than you can say “Introducing the New Fox Journal Channel.”

    Having said that, the Dow Jones board — which is being advised by Arthur Fleischer Jr. of Fried Frank Harris Shriver & Jacobson, Richard I. Beattie of Simpson Thacher & Bartlett, and Goldman Sachs — has no duty to consider the bid unless the family were to acquiesce first. (An aside: Has anyone on Wall Street found it odd that Goldman Sachs, which has been a longtime banker to Mr. Murdoch’s company, the News Corporation — John Thornton, a former Goldman president, is a News Corporation director — is now representing Dow Jones, with which it has never had a relationship before? How hard do you really think Goldman is going to push the News Corporation, considering that if a deal is ever struck, Goldman will want to make Mr. Murdoch’s company a client again?)

    Dow Jones’s chief executive, Richard F. Zannino, appears to be a clear advocate of a sale to Mr. Murdoch, describing the benefits of a deal to the board this week, according to people at the meeting. A week before Mr. Murdoch made his bid, the two men had breakfast in Mr. Murdoch’s office. Mr. Zannino has been flirting with Mr. Murdoch for years — often over meetings put together by bankers like Mr. Murdoch’s longtime adviser James B. Lee Jr. of JPMorgan Chase. The News Corporation is also being advised by Nancy Peretsman of Allen & Company and Blair W. Effron of Centerview Partners.

    Mr. Zannino stands to make a handsome personal profit if Dow Jones is sold, of course, but when the chief executive thinks that it is better to sell the company than to keep it, shareholders should consider that a clear sign that some sort of financial impasse has been reached.

    The Bancrofts have clearly reached such an impasse — some of it of their own making and some of it attributable to revolutionary business shifts beyond their control. If the family cares about preserving the Dow Jones legacy and seeing the company continue to flourish, it’s time to be financially creative. Rupert Murdoch is knocking on their door.