Monday, January 07, 2008

For Magazines, New Year of Challenges


For magazines, New Year of Challenges
Media Life Talks To Marty Walker noted magazine industry expert
By Diego Vasquez
End-of-year numbers from the Publishers Information Bureau have yet to be released, but barring a surprise bounce-back in ad pages, 2007 will end the year flat or slightly down compared with 2006, which wasn't exactly a boom year. Combine that with the large number of high-profile magazine closures and rather small number of new magazine launches, and 2007 was not a good year for the industry. The question is whether 2008 will show improvement. Many media people expect more magazine closures as the web drains off advertisers and readers. Unlike TV, newspapers and radio, magazines won't see much of the record political spending expected this year, and continued softness in the economy will hurt a number of categories. Because of that, expect to see magazines exploring other ways to make money and optimize circulation. Marty Walker, president of Walker Communications and noted magazine industry expert, talks to Media Life about the coming year. This is the first in a series of week-long 2008 previews with experts in different fields of media.

Would you characterize 2007 as a good year for magazines? Why?
No, I wouldn't characterize it as a good year. I mean, it wasn't a disaster year. Ad pages stayed around, and so did revenue, at basically flat. And there's nothing really to indicate that 2008 will be appreciably better. Magazines tend not to get a big hit from the elections, that's more regional and in newspapers.
Magazines will also suffer from a lack of real estate adverting.


What was the biggest story in magazines in 2007?
The folding of House & Garden, the folding of Teen People, the folding of Elle Girl, all magazines with what appeared to be substantial circulation.

There was also the limited number of new launches, both as a sign of the economy and the competition from the internet.

Building on that, which magazine closures echoed the loudest in 2007?
I would say House & Garden. It was the most established title to close.

Are there any categories where you see a shakeout occurring this year?

This year I can't think of one particular category.
I think we had the shakeout last year in the teen market, and that was definitely the internet, with the kids going to the social networking sites.
But the biggest challenge in the publishing industry is going to be five or 10 years down the road when the present generation of magazine readers are gone and the new generation [emerges] that grew up on the internet.

How are you going to transition them to becoming magazine readers and subscribers? That will be the biggest challenge.


What is the single most important thing for media buyers and planners to know about magazines in 2008?

Well, it's the age-old story. Buyers and planners are young people in the early parts of their careers, and they're trained to look at the numbers.

But if they're going to get their clients to stand out from the pack of their competitors, they have to start learning to look at the magazines themselves and understand the differences.

For example, Time and Newsweek have similar numbers, but they're very different magazines. They need to go beyond the numbers and know a little more about each title.

They also need to stop complaining about public-place distribution and verified distribution and understand that if they're going to demand issue-based guarantees on circulation, ultimately they're going to have to pay for the circulation that's actually delivered.

What are three trends to watch for in 2008 in magazines?

Well, the biggest trend you'll probably see is magazines trying to be more consultative sellers, and sellers that package integrated programs that go beyond just print. That will involve print, web, events and rather than just selling advertising. Smart publishers will move toward selling marketing solutions.

No. 2, publishers will be working desperately to find ways to increase web traffic and monetize their web efforts. And also, they'll experiment with different kinds of content on the web and ways of delivering their content on the web.

The third one has to do with circulation. They'll continue testing new ways of circulating magazines and testing the viability of non-paid versus paid and what have you.

What will be the single biggest change facing the industry over the next few years?
I think we'll see the demise of news- and data-based type magazines, perhaps more so in the B-to-B field than the consumer field, because the web very much is a better source of that kind of information.

There'll be an exponential growth of special interest consumer magazines, where people want to read longer articles and stuff about their passions and interests.

With news and data, it doesn't take a lot of money to generate. But when you get into serious content, then it requires more of an investment, and that's where magazines can maintain their strength.

The most recent Publishers Information Bureau numbers, for third quarter, have magazine ad pages down 1.1 percent year to date. What has been the biggest cause of this dip?

The internet and the economy.

The internet is certainly impacting on print advertising, and publishers are finding it harder and harder to sell copies on the newsstand. All of that is impacting on the rate base and the amount of advertising publishers are getting.

What categories do you see doing the best this year?

Usually, when the economy is bad or weak, the cocooning or home type magazines tend to do well. People hunker down and stay home, cut down on conspicuous consumption.

But the magazines that seem to be doing well are the ones that deal with conspicuous consumption. I think the travel magazine will suffer to some extent because of the declining value of the dollar internationally, in particular in Europe.

Do you anticipate more launches than average or fewer in 2008? Why?
Well, when you talk about launches you have to talk about it in two ways. You really have to think about what will be the important launches, and I think there will be fewer of them.
Entrepreneurs that are looking for money to launch magazines will probably have trouble, considering the economy and the volatility of the industry right now.

Diego Vasquez is a staff writer for Media Life.

Thursday, January 03, 2008

The Watchword for Media: Scarcity


The Watchword for Media: Scarcity
A paper pinch, slower Web traffic, and striking writers make for a harsh new reality
By Jon Fine

As if media companies didn't already have enough going on, now they have something else to look forward to in 2008: scarcity.

I don't mean the "scarcity" media knew in easier times, back when owning printing presses or broadcast towers gave you a stranglehold on distribution, back when there was no newfangled noisy megaphone-the Internet-through which those whom traditionalists call "nonprofessionals" could broadcast their own media.

I'm talking about a more old-fashioned scarcity of raw materials. Magazine and newspaper publishers are already feeling the pinch of steep increases in the paper prices, a quotidian item but one that represents publishers' largest nonlabor expense. Meanwhile, the time Americans spend on the Web (another finite commodity) has actually backslid in the past few months, compared with 2006's stats, according to comScore (SCOR) data, which also shows stagnation in Web traffic growth. These scarcities differ from another one-a shortage of scripted TV shows thanks to the ongoing writer's strike-in that they look more permanent than temporary.

Bear with me while I sketch out the structural changes in the paper market. In years past, publishers bought from a wide constellation of papermakers. So it was easier to play one supplier off another to get price cuts, and thus manufacturers' attempts at price increases often did not stick.

That state of affairs is over for the foreseeable future, if not forever, thanks to a wave of mergers that reached a zenith last year with the nuptials of Bowater and Abitibi Price, the top two newsprint players in the North American market. Private equity has consolidated ownership among manufacturers of coated paper, which magazines use. All these deals have dampened supply. Coated paper prices increased 10% last year, and further hikes are expected in '08. Newsprint prices will balloon 11% this year, according to industry tracker Pulp & Paper Week, although other observers are convinced prices will go even higher. The crowning irony is that this is happening even as dropping circulation has taken much demand out of the market, and thus the suddenness of the increases has surprised many.

This lashes another lead weight onto publishers already struggling through choppy waters. (Pundits, including myself, have for years expected more magazines to close; higher paper prices may accomplish what years of sluggish advertising did not.) It also leads to a raft of not-good implications. Publishers will be tempted to shrink circulation (since marginal circulation just got much more unprofitable), and magazines will consider cutting back on the size and quality of paper. If, like me, you believe the physical attributes of print lure readers and advertisers, this is a bad road to go down. It will also accelerate the move online, assuming media executives still need a shove.

But, as comScore's data show, even growth on the Web has its limits. It is becoming clear-at last!-that there are limits to how much media the average human can consume. So the battle for the same eyeballs will intensify. "People are not going to spend that much more time in front of their PCs," says an executive at a top Web property. "The big growth is over."

That sounds a touch dramatic to me. Many have it worse than the Web. The big sites continue to ring up truly staggering stats, and there's a huge difference between stagnating traffic growth and disappearing audiences, which virtually all other media face. But the new reality will nonetheless reshape online media. Look no further than the big portals, which are already shifting focus to monetize the traffic they've got-think of Microsoft buying digital advertising and technology firm aQuantive-rather than just chasing after more eyeballs. Meanwhile, it won't be long before media sites are forced to grow by poaching rivals' traffic. Should The Wall Street Journal go free on the Web under News Corp. (NWS) ownership, for example, an especially tasty tit-for-tat traffic battle will doubtless ensue with The New York Times (NYT).

A more far-fetched scenario is painted by an online executive, who suggests that sites may start trying to lure users with cheap premiums like those employed by gas stations during the price wars of the early 1970s. (But perhaps he and I are the only ones who remember the "collectible" football stamps Sunoco (SUN) gave out back then.) Look, also, for sites that tally lots of steady traffic from the same loyal users-a description that works for both the Times and TMZ.com-to loom as more valuable destinations for advertisers, since they're better bets to avoid traffic erosion, and steadiness is a virtue in an environment of scarcity.

Which brings us back to the broadcast networks' current battle with strike-induced scarcity. They may be temporarily immune to many of these challenges since, even as overall Web traffic growth slows, Web video growth still skyrockets. But I can't help thinking that the networks' best move would be to cough up some concessions to placate the writers and get back to the way things were. Traditional TV arguably has weathered the stampede online better than any of its media peers. There is still scarcity that comes with being just about the only venue that can reach more than 10 million people at once. Preserving that is worth a modestly generous settlement, so long as it comes before viewers flee TV for other entertainment options. Just ask the publishers, who now face scarcity of a much different kind.

Wednesday, January 02, 2008

Read All About It


Read All About It
How newspapers got into such a fix, and where they go from here
By PAUL E. STEIGER

It was the fall of 1999, and the newspaper I edited, The Wall Street Journal, was awash in money. Thanks to the dot-com boom and the lush advertising it generated, we were running the presses at full tilt nearly every day, yet had to turn away ads for lack of space.

Even as the good times rolled, two non-newspaper names kept coming up. I recall being stunned to learn that the main place where our own readers checked stock prices was the finance section of Yahoo. A couple of kids from Stanford had launched a search engine called Google. Already, many of my colleagues were using it.

Less than six months later, the tech bubble began to deflate. Hundreds of dot-coms died, taking with them their ad budgets. But the Web industry pushed forward, and within a few years it shredded newspaper business models that had held sway for decades.


Corbis
Guglielmo Marconi sent the first radio signal across the Atlantic ocean in 1901. See more media milestones.
That high-tech jolt to my industry wasn't something I could have imagined on the July day in 1966 when I walked into a factory-like building in San Francisco to start work as a 23-year-old reporter for the Journal. Vintage Linotype machines spat out hot-metal versions of stories a line at a time. An industry of family-owned newspapers was setting off on a momentous period of growing power and profit.

On Thursday I'll pack my last box and take leave of a place where I've spent 26 of my 41 years in journalism, including 16 as managing editor of the Journal. (The other 15 years, 1968 to 1983, I was a reporter and then business editor at the Los Angeles Times.) Today, all around me is an industry in upheaval, with slumping revenues and stocks, layoffs, and takeovers of publishers that a decade ago seemed impregnable. Just this month, Rupert Murdoch's News Corp. completed its acquisition of Dow Jones & Co., the Journal's publisher, and real-estate magnate Sam Zell gained effective control of Tribune Co.

The Journal's editors have asked me to retrace my experiences of the past four decades in search of insights into how all this has happened, what may happen next and the implications of all this change for readers, the nation and society at large.

For readers, the implications are clear: a stark contrast of feast and famine.

The cornucopia of national, international and business news, sports, and especially opinion available free on the Web is rich beyond historical parallel. Anyone with a fact, a comment, a snapshot or a video clip can self-publish and instantly compete with the professionals.

At the same time, the vast array of investigative reporting and foreign correspondence assembled at American newspapers over the past several decades is being cut back at all but a few publications, as papers succumb to the pressure to cut costs.

Many journalists and academics see in these cutbacks a threat to the democratic ideal of a well-informed public. Some urge turning to philanthropy or an expansion of public television as a way to fill the gap. Others have begun to argue for a government subsidy for newspapers -- an unlikely prospect for now.

Less clear is how the industry will ultimately be transformed.

Many papers are seeking to leap ahead in adapting to the movement of readers and advertisers to the Internet. This means tightly holding down costs of print publications while leveraging metro papers' principal unique assets: local reporting staffs and local ad-sales teams.

Cash from newspapers' own Web offerings has grown fast but needs to grow faster, because at current rates it will be years before it makes up for the slumping inflow from the still-much-larger print side. As Google, Yahoo and similar Internet enterprises suck away ad dollars, many newspaper companies hope to gain new revenue by forming once-unthinkable partnerships with each other and some of these same rivals, particularly Yahoo.

In some ways, what's happening to the newspaper industry is a return to its past. Less than 50 years ago, American newspapers were in the main relatively small, narrowly profitable, family-owned, locally focused and hotly competitive.

As a kid reporter in California in the '60s, I heard tales from newsmen and photographers about how, just a few years earlier, they had sat in cars, engines running and radios tuned to police bands, trying to get an edge in covering the next murder. The national and international news would be handled by the wire services. Lurid local photographs on page one were what sold newspapers in that era.

A certain fast-and-loose, devil-may-care attitude often prevailed. I remember walking past a photographer's open car trunk and noticing that he carried a well-preserved but very dead bird among his cameras and lenses. The bird, he explained, was for feature shots on holidays like Memorial Day. He'd perch it on a gravestone or tree limb in a veterans' cemetery to get the right mood. Nowadays such a trick would get him fired, but in the 1950s, this guy said, there was no time to wait for a live bird to flutter into the frame.

Then, beginning in the 1960s, the industry morphed into a series of mini-monopolies. First, mounting costs forced a shakeout -- mergers and newspaper closings that typically left one city paper preeminent in the morning market and another in the evening.

For a while, the evening franchise had a slight edge: People had more time to read then. In a twinkling, that advantage disappeared, crushed by a phenomenon that can be summed up in two words: Walter Cronkite. More and more families gathered in front of the tube at the dinner hour.

The morning papers then got a boost, a surge in women readers. As baby boomers reached school age, their mothers could sit back for a moment with a second cup of coffee and read sections aimed squarely at them.

Soon, in city after city, the leading morning newspaper came to dominate and often eliminate its rivals, reaping comfortable margins in the process. Before long, these were linking up in multibillion-dollar, multi-city chains, building publicly traded companies with rising profits and stocks. Some acquired TV stations as well.

Many of these information behemoths invested heavily in quality, expanding their reporting locally, nationally and internationally. This was good business as well as a boon to readers, because it raised barriers to entry for would-be competitors.

The result was a golden age of American journalism. In New York, Washington, Chicago and Los Angeles, of course, yet also in Boston, Philadelphia, Miami, Milwaukee, Atlanta, St. Louis, Des Moines, Louisville, St. Petersburg and more, daily papers were willing to send reporters far afield in pursuit of stories exposing corruption or explaining the world. Newspapers opened or expanded Washington bureaus and added reporters abroad. Some stationed them not just in London, Moscow and Tokyo but in places like Sydney and São Paulo.

As their financial strength and staff size increased, they became fearless in pursuing corruption. A 1964 Supreme Court decision, New York Times v. Sullivan, protected publishers from libel judgments by public officials even if what was published was inaccurate, so long as the paper didn't know the article was inaccurate and wasn't reckless about what it published.

The news operations of the three main television networks in those days followed a similar pattern. As profits grew, they added to staff and launched foreign bureaus and investigative projects. The Sunday-night magazine program CBS launched in 1968, "60 Minutes," set a new standard for expensively produced and deeply reported video journalism.

The public seemed to approve. Intrepid journalists proliferated in films like "All the President's Men," depicting Washington Post reporters' exposure of Watergate. Enrollments in journalism schools surged, as well as applications for reporting jobs.


They were heady times indeed. When the L.A. Times investigated suspected gasoline hoarding during fuel shortages in 1979, one reporter got the idea of flying over refineries and tank fields to look for evidence. As the editor running the coverage, I asked my bosses for approval to hire helicopters or small planes for a story. The answer: Go right ahead.

In the end, we didn't. Our reporting showed that most of the hoarding was by people like our own readers, who'd taken to driving with their gas tanks always full. But the lesson was clear: When it came to getting an important story, don't worry about the cost.

I don't remember exactly when cracks began to appear in this halcyon life. At most big papers, circulation, revenue and profits grew through the 1970s and 1980s and into the 1990s, with recessionary pauses that weren't excessively fretted over.

Around the time of the 1980 slump, L.A. Times editors were told they needed to impose modest spending restraints. I figured out I could meet my target just by eliminating first-class travel on my group's reporting trips, then allowed on flights of more than three hours or so. I was quite proud of myself until the next day, when the top editor of the entire paper, who only occasionally visited our floor, strode straight to my desk. "I like flying first class," he said with a grin. "You're setting a bad example." I found another way to reach my goal.

In the mid-1980s, when I was a deputy managing editor at the Journal, the Dow Jones CEO almost apologetically imposed limits on our then-ample spending, in the face of cyclical advertising cutbacks by financial firms. As the CEO quipped, referring to then-managing-editor Norman Pearlstine, "We gave Norm an unlimited budget, and he exceeded it."

In those days, we worried quite a bit about television. Survey after survey showed that, with each year, more Americans were getting their news there. While that made circulation growth tougher to achieve, ad revenue continued to rise, as newspaper readers generally had better incomes.

Cable TV added a new worry, because here was a medium that could target smaller, exclusive audiences and thus pose a greater challenge to print. Even so, newspaper revenue continued its growth.

Then in the 1990s came the digital networks and the Internet, unleashing forces that would ultimately undermine newspaper business models that had been so supportive of journalism. First came dial-up, then a few years later the Internet, and by 1995, dozens of newspapers, including the Journal, had online editions.

Early leaders of the Journal's online edition privately referred to it as "the paper killer," to the great annoyance of print colleagues when they found out. But the phrase was apt: The Web could deliver words and numbers at nearly the speed of light without the cost of printing, paper or delivery trucks, all searchable and archivable.

In response, newspapers sought to do three things: cut costs, diversify and, above all, embrace the new technology and dominate it. After all, in the 1940s and 1950s, the leading radio networks had become the leading television networks. Why couldn't newspapers copy that model?

They certainly tried.

Cost-cutting first followed a path set in the 1970s, of using computers to eliminate jobs downstream from the newsroom. Today, nothing but electrons stands between the minds and hands of the journalists and the photographic image used to produce a printing plate. But those cuts often weren't enough, and publisher after publisher turned to hiring freezes, buyouts and ultimately layoffs. The reductions have fallen particularly heavily on foreign and investigative or "project" reporting, which are among the most expensive categories to produce.

Diversification typically took the route of investments in television stations, cable systems, satellite, book publishing and other domains at least notionally related to newspapers. Some were successful, some not.

Publishers' Internet ventures almost always had limited success, at least at the outset. Part of the problem was that those in charge of print advertising and circulation were suspicious of their counterparts on the online side, and vice versa. At the Journal, I saw it often.

At one point, the print folks suggested that online subscriptions be awarded free to print subscribers. It was an idea, the online folk retorted, that relegated their site to "toaster status," as in savings banks giving away cheap gifts for opening an account.

In turn, the online people wanted renewal mailings to print customers to include a line soliciting a paid subscription to the Journal's Web edition. The print side resisted mightily, fearing that adding any new option to the form would cause some customers to delay responding long enough to trigger a costly follow-up mailing.

A bigger problem was that newspapers often sought to copy fairly closely on the Web what they did in print, rather than offer new products taking full advantage of digitization. The most creative new products came mainly from enterprises with little connection to newspapers. And soon, if you named almost any bit of data you used to rely on papers for -- sports scores, weather, stocks, movie times -- there were Web sites offering more information faster, and free.

The decisive blow may have been Google's, with its powerful search engine that would either give you a quick answer to a question you had or steer you to sites that could. The irony, of course, was that some of the most useful of those sites were newspapers'.

Papers remained quite profitable, for the most part. But as the future began to look increasingly troubled, one publisher's stock after another got hammered, starting around the turn of the century.

Especially hard hit were publishers of prestigious newspapers. Dow Jones stock was at less than half its high before News Corp. made its successful bid for the Wall Street Journal publisher last spring. Times-Mirror fell more than 50% before being acquired by Tribune Co., which in turn has fallen around 45% from its high. Knight Ridder fell 20% from its high before its acquisition by McClatchy, which now trades at around 80% below its peak. New York Times Co. is near an 11-year low. Washington Post Co. is about 20% below its top.

Some publishers with less-prestigious papers have done better. Scripps and Cox have diversified successfully into cable networks and cable systems, respectively. Thomson sold all its newspapers and became a financial-market, legal and medical data company before reaching a merger agreement with Reuters this year. News Corp. leveraged its Australian newspaper business to acquire not only newspapers but also a movie studio, television, cable, satellite TV and Web interests around the world. It picked up the prestigious Times of London along the way, and the Journal after its transition to a global media company.

Why this divide? It could be that operators of high-prestige newspapers were more reluctant to risk the franchise, even under a level of financial duress that would provoke many managements to bet the farm in pursuit of a radical opportunity.

What happens next? Change, rapid and largely unpredictable. Nearly every company in the industry needs major new revenue, big cost reductions or a healthy dollop of each. The people and entities to watch most closely are:

-- The entrepreneurs, Mr. Murdoch and Mr. Zell. Mr. Murdoch has vast experience in media generally and newspapers in particular, controls major financial resources and has big plans to expand the Journal -- in print and online, domestically and overseas. Mr. Zell used financial engineering to control Tribune Co. with minimal investment of his own, has little media experience and isn't likely to spend much on his new properties. Both are decisive investors and operators. They aren't always successful, but it's unwise to bet against them.

-- New York Times Co. Mr. Murdoch has said he'll use the Journal to steal a portion of the general-news and cultural-news franchises of Times Co.'s eponymous flagship newspaper. But entities fight hardest defending their home turf, and the Times has both a strong, growing Web site and a Sunday edition that remains an advertising monster. It will be under pressure to follow some of the cost cutting its sister Boston Globe has done. Pure conjecture: Assuming that New York Mayor and Bloomberg LP owner Mike Bloomberg isn't U.S. president-elect a year from now, would he and Times Chairman Arthur Sulzberger Jr. consider putting their two enterprises together?

-- Hearst Corp. After the inheritors of William Randolph Hearst's empire lost their bet on evening papers in the 1960s, they bulked up their revenue from magazines like Cosmopolitan, diversified smartly in TV (including a 20% stake in ESPN, now worth roughly $6 billion), and stayed in newspapers but with a close eye on profit. With four metro papers, like the Houston Chronicle and San Francisco Chronicle, and eight smaller ones, Hearst is in the vanguard of figuring out ways to exploit newspapers' local-reporting strengths, both in print and online.

Hearst has helped forge a partnership involving a consortium of newspaper companies and sometime-nemesis Yahoo. The idea is that together they can offer advertisers total coverage of various metropolitan areas, and feed readers back and forth. Question: Are these going to be best friends forever or a cobra and a mongoose?

Final word: Next week I move over to a nonprofit called Pro Publica as president and editor-in-chief. When fully staffed, we will be a team of 24 journalists dedicated to reporting on abuses of power by anyone with power: government, business, unions, universities, school systems, doctors, hospitals, lawyers, courts, nonprofits, media. We'll publish through our Web site and also possibly through newspapers, magazines or TV programs, offering our material free if they provide wide distribution.

Pro Publica is the brainchild of San Francisco entrepreneurs-turned-philanthropists Herbert and Marion Sandler, who along with some other donors are providing $10 million a year in funding.

The idea is that we, along with others of similar bent, can in some modest way make up for some of the loss in investigative-reporting resources that results from the collapse of metro newspapers' business model.

Thursday, December 27, 2007

How Many Magazines Debuted This Year?



How Many Magazines Debuted This Year?
By Carl Bialik who examines the way numbers are used, and abused
http://blogs.wsj.com/numbersguy/how-many-magazines-debuted-this-year-242/
If you want to know how many magazines debuted in the U.S. this year, you have to start by answering the question: What is a magazine launch?

The Magazine Publishers of America, a New York-based trade group, counts only magazines that plan to appear at least quarterly, spokeswoman Cristina Santos Dinozo said. Its New & Noted list, compiled from press releases and various media sources, included 204 titles, by my count Wednesday morning.

Southern Beauty is one notable magazine launch this year.
MediaFinder.com, an online magazine database, announced last week that 389 magazines had launched this year. The database, owned by New York-based Oxbridge Communications, counts any magazine that has a regular publishing schedule, even if it's only annual. "We don't include what we call 'one-shot' publications because we don't consider them periodicals, publications published more than once on a regular, even an irregular, basis," MediaFinder.com president Trish Hagood told me.

One-shot publications do count for Samir Husni, chair of the journalism department at the University of Mississippi. Through November, he'd counted 636 titles - but 363 of them, or 57%, were what he calls "specials." He reasons that sometimes what initially appear to be one-off issues evolve into periodical publications, such as People's Style Watch, which now appears 10 times a year. "That's the only reason I include all the specials," Prof. Husni told me. "Because you never know." But sometimes you do: Prof. Husni "guesstimates" that fewer than 5% of these specials become full-fledged magazines. Even among the sturdier launches, attrition is common. Just over one-quarter of the 459 magazines launched a decade ago with a publication schedule of quarterly or more frequent still come out at least four times a year, and only two in five of last year's such launches have maintained that pace.

There are other idiosyncrasies that make the numbers distinct from each other. MediaFinder includes Canadian titles, but the other two don't. Also, the MPA counts announcements of magazine launches, even if the title hasn't debuted. Meanwhile, Prof. Husni only counts magazines for which he's acquired a physical copy (a lifelong magazine obsessive, he says he claimed $37,000 on his taxes last year for magazine purchases, which he keeps for his personal collection). "I know a few magazines that have been published, but I could not get my hands on the issue," Prof. Husni said. "I've seen so many times where people produce a pilot issue and get publicity, but no magazine ever comes out."

Meanwhile, the rate of launches has slowed, by MediaFinder's and Prof. Husni's definitions. Unless December brings an unusually large set of launches, this year will see the fewest since 1991. And there have been only 221 quarterly titles launched, the fewest since 1986. Nonetheless, Prof. Husni calls on other numbers to argue for the health of the industry: He says that in 1980, he counted 2,000 consumer magazines available to the general public. Now, he says, there are 7,200.

Further reading: The industry publication Folio also noted the disparate numbers. Prof. Husni's site MrMagazine.com includes covers of every 2007 magazine launch.

Thursday, December 20, 2007

What The Reader Wants


IPI AWARDS SPEECH
What The Reader Wants
BY Vinod Mehta
It is an honour and a privilege for me accept this coveted award on behalf of the Outlook Group. I would like to especially congratulate Saikat Datta, the correspondent and Ajith Pillai, his editor. Saikat pursued this story for over six months, putting it together for all of us was like a roller coaster drive.

Ladies and gentlemen, in India 2007 numerous challenges face the media. There is the reluctance of the media, especially the electronic media, to regulate itself. And simultaneously we see daily the eagerness of our political masters to impose a code on the profession which will effectively castrate it.

Then there is the strange but seemingly irresistible animal called sting journalism, which when it is good is very good, but when it is bad, shames us all.

Then there is the media's myopia regarding how its credibility is being eroded. To the extent that journalism today is often confused with being part of the entertainment industry.

Then there is the challenge of the markets. What is the media for? Is it only for making money? Once you treat the media as if it is no different from running an ice-cream parlour, journalism loses out to commerce.

Then there is the accusation, hurled by politicians, that the media creates cynicism about politicians. Thanks to the media, our politicians maintain, the public views its leaders and the very process of governing, with suspicion and mistrust. Our netas say a pervasive climate of cynicism leads to the sense that a whole range of problems are beyond the control of mere politicians, beyond solutions altogether. This in turn breeds frustration, hopelessness and lack of faith in government. I don't accept this highly exaggerated accusation, but I concede it is on the table. And the media needs to counter it, probably with the response that politicians by their conduct create the cynicism, we journalists merely spread it around.

And last but not least, what checks and balances should the media impose on itself in India 2007, where the intense competition, both in print and TV, is threatening professional ethics? As journalists we need to remember that a newspaper's credibility is like the virginity of a woman. You can lose it only once.

I now come to my main concern. There is one more critical challenge, one that is rarely discussed in journalism seminars or among serious editors. But I notice advertising managers and self-styled media pundits pontificate on it endlessly -- and they have by now signed and sealed the argument. They have given us a new mantra. When these guys speak in the excellent and proliferating media and advertising journals, they assume the pose of Moses. Their words are written on tablets of stone. And what is their subject? It is the nature of editorial content in television and print. They have come to the considered conclusion that the highest responsibility of the media is to give the reader or the viewer what he or she wants. Any other kind of journalism is irrelevant, indeed an insult to the public!

I believe this is a crucial issue for the media. Alas, the wrong guys are discussing it, the wrong guys are giving us the solutions.

I say this with much humility, but brand managers, with honourable exceptions, are congenitally incapable of understanding the nature and purpose of journalism.

They simply cannot understand it by virtue of their background: which is sales in order to maximise profits. They can never understand that content is more, much more, than what readers want. It also has a social dimension. Thus, content is a mix of what the reader wants and what he does not want. The trick is to marry the two and make money.

Accompanying the mantra, is much loose talk that the old journalism is dead and a new journalism has been born. This new journalism is entirely based on reader or viewer demands. So, we are told the reader is king and it is the job of a responsible media organisation to provide cent per cent satisfaction.

This proposition is now so widely accepted that to argue against it is like whistling in the dark. Those who believe otherwise are seen as cranks, out of touch with the contemporary market -- in other words the reader. If journalism is a consumption item like butter chicken, then why not give the customer the flavour and taste he wants. That, after all, is the first rule of free market capitalism.

Ladies and gentlemen, in my nearly 30 years as editor, I have heard a lot of nonsense talked about journalism and its role in India, but this piece of nonsense is outrageously and self-evidently absurd and dangerous. To demolish it is urgent. To let it become the benchmark of our profession is to put in peril everything we have worked for in 60 years.

I ask you this: If some readers or viewers wish to see or read about paedophilia, should we oblige? If some readers or viewers wish to see or read about wife-beatings, should we oblige? I could go on. The whole idea is preposterous and I dare say most editors would end up in jail if they followed the mantra.

I will just provide three examples of the confusion in readers minds regarding their expectations from the media.

One. Research shows unambiguously that most readers desire to read more international news. Yet, the international pages of a paper are the least read. International news may be good for the soul but it does nothing for circulation.

Two. Readers insist that the price of their morning paper does not matter. It is such a vital part of their life that they would happily pay the extra rupee for it. Yet, as Mr Rupert Murdoch and Mr Samir Jain have demonstrated, print publications are extremely price sensitive. You can bleed the opposition by cover price cuts. The phrase "invitation price" terrifies rival publishers.

Three. Readers will tell you that they want a single-section, compact morning paper. They don't want sections and supplements dropping out. Yet the opposite is true. Papers with multi-sections prosper, others suffer.

I think I have made my point. We must lead readers, not be led by them. Really great journalism must do more than merely give people what they want. There has to be room for the unexpected, for stories the public has no idea it wants until it sees them.

The reader is a paradox. He frequently complains about negative news being constantly reported. But for all his clamouring for positive news, surveys show that people are more interested in negative news, sensational news, news about crime, violence and corruption. The reader, ladies and gentlemen, is not king; actually he is a nice hypocrite.

Editors in India are an endangered species, but only a good and professional editorial team can decide what is news and what is humbug. That is the sum of what I have learnt in 30 years. Thank you.

Meat to Wrap the Mind Around


Meat to Wrap the Mind Around
By OLIVER SCHWANER-ALBRIGHT

IN September, when Sasha Wizansky and Amy Standen published the inaugural issue of Meatpaper, a slender magazine that is, according to the cover, "Your Journal of Meat Culture," they weren't entirely surprised that both omnivores and vegetarians responded enthusiastically.

"Responsible meat eating could hold its own as a philosophical position with people who are vegetarian," Ms. Standen said. "Meatpaper is about every way of looking at meat. I think of it as a magazine that's just as intended for vegetarians as it is for meat eaters."

"It's about their response to meat," Ms. Wizansky added. "And there are so many ways of responding to meat."

This week the second issue of Meatpaper, a quarterly based in San Francisco, hits newsstands. Its responses to meat are unflinching, and often humorous: a deliberation as to whether the Bible bans blood sausage, a photo essay on found meat, a married couple discussing cannibalism. (Not to give anything away, the husband both offers himself up and resigns himself to eating his companion, while the wife dodges the question.)

The magazine names the present moment, when braised pork belly is comfort food and savvy diners know their Charolais from their Chianina, the "fleischgeist," or spirit of meat.

"We get e-mails from people who say, 'We're trying to get more in touch with our animal ethic - my friends and I are going in on a whole pig, and we're going to learn all the traditional ways to process it,'"Ms. Wizansky said last week over a platter of house-cured salumi at Perbacco, a busy California Street restaurant in San Francisco.

"It's amazing how often we hear that," Ms. Standen said, taking a sip of lambrusco. "I don't know why, but our version of back-to-the-land is culinary."

Ms. Wizansky and Ms. Standen met while working at Salon, the online magazine. Last year Ms. Wizansky, now an independent graphic designer, asked Ms. Standen, a reporter for KQED public radio, to join with her in editing Meatpaper. Both are in their early 30s, and both were once committed vegetarians. ("We find over and over again that bacon is the conversion meat," Ms. Standen said. "Bacon is how vegetarians change their minds.") But having spent some time eating abroad - beef in England, foal in Slovenia - they devoured Perbacco's ramekin of ciccioli, a rich pâté of shredded pork.

"Sasha is an incredibly brave eater, and by far the braver of the two of us," Ms. Standen said. "She will eat anything, and it's a source of my undying admiration."

"So far I haven't met the meat I wouldn't eat," Ms. Wizansky said. "But maybe I haven't traveled enough to meet that meat."

"What could it be?" Ms. Standen asked. "Some organ? We ate duck testicles a few weeks ago at Incanto. They were very tasty."

"They were mild," Ms. Wizansky said. "Like unassuming little sausages."

Chris Cosentino, the Incanto chef, contributed to the second issue with "Captain Beef Heart," an article about his favorite offal. But if his recipe (for grilled beef heart salad) is the only one that appears in the magazine, it's because Meatpaper, which has a circulation of 3,200, sees itself less a food magazine than an interdisciplinary art journal, more Esopus than Cook's Illustrated. It explains why it's available in New York not only at Marlow & Sons, the general store and pub in Williamsburg, Brooklyn, but at Project No. 8, the chic clothing boutique on the edge of Chinatown.

But Ms. Wizansky and Ms. Standen have no interest in turning Meatpaper into an elitist polemic: they celebrate the fleischgeist and so far have held two publication parties, with loose plans for a third. "Meat makes a better party," Ms. Standen said, explaining that at the second party even vegans enjoyed themselves around a table of cured meat. "It's a little bit raunchy, kind of gross - it's salty and savory."

"It riles people up, but in a good way," Ms. Wizansky added. "People get very enthusiastic."

"Because they're daring each other to taste these things," Ms. Standen said. "There's a certain daredevil aspect to it."

"Even the American barbecue is like that," Ms. Wizansky said. "Meat is one of the only foods that can be the centerpiece of a gathering." And, as they have shown, an entire magazine.

Wednesday, December 19, 2007

Magazine Covers We Loved in 2007

Magazine Covers We Loved in 2007
By Nat Ives



GARDEN & GUN
Nobody -- at least none of the media elite up North -- knew how beautiful the words "garden" and "gun" sounded together until Rebecca Wesson Darwin introduced this magazine last spring. And it wasn't until the fall issue that we realized how well a black-and-white photo of a woman with a Beretta could work on the front of a magazine. We haven't asked about newsstand sales; we're too busy imagining the mystical place called "21st Century Southern America."


TIME OUT
It ain't easy living in New York, much less living single in New York -- or getting good dating advice from a magazine. But Time Out New York found it it is entirely possible to make fun of New York singles in its Dating issue, so we were treated to this hilarious and, OK, possibly cruel cover photo of one reason you're so not being romanced right now.

THE ECONOMIST
Sometimes all a magazine needs to do is find the simplest way to tell the story. We're sure the housing-market coverage inside this March issue of The Economist is remarkably written and insightful -- but we never found out, having found in this image all we needed to know about the then-approaching mortgage debacle: Its downside will be deep.


W
Not everyone appreciated W's concept for multiple covers of its Art issue in November, for which renowned painter and photographer Richard Prince basically scrawled fake autographs on some celebs photos. "Hey, Richard," he wrote on an Angelina Jolie cover, pretending to be her. "Shine on!" Fashionista.com wondered if this was false advertising, given the lack of a Jolie interview inside. For some reason, though, we called it art.




THE NEW YORKER
Although we by no means endorse magazine covers that depict people sitting on toilets -- that's disgusting, folks -- sometimes an image just kills with its timing. Columbia students laughed in September when Iranian President Mahmoud Ahmadinejad was translated as telling them, "In Iran, we don't have homosexuals, like in your country." Here, a neighbor in the adjoining stall either has a "wide stance" or would like to discuss the issue further.



ENTERTAINMENT WEEKLY
We were, like many people it seems, rooting for Britney Spears to return to form and really blow everyone away in her comeback performance at MTV's Video Music Awards. The train, car, bike and bobsled crash that followed left us speechless and, we kid you not, concerned. Entertainment Weekly had the words for it that we did not. We're still concerned about Britney, too.




TEXAS MONTHLY
This cover took home the "Best Coverline" award from the Magazine Publishers of America at last fall's American Magazine Conference, but it's even more than that. It's also a genuinely frightening image. Beyond even that, the cover is an hommage to perhaps the best cover ever, National Lampoon's 1973 masterpiece that threatened, "If You Don't Buy This Magazine, We'll Kill This Dog."



NEW YORK
The right photo plus the right pull quote equals a cover portrait that is neither cruel nor promotional. Given the audience figures circulating toward year-end, in fact, this July cover looks downright generous. But it's not; a profile of Katie Couric's "impossible year" demands a chance for Ms. Couric to say that this isn't quite how she hoped things would go, either.



ESQUIRE
Esquire isn't any more above using sexy semi-dressed women to move newsstand copies than any other men's magazine, but it's not addicted to them. It actually found a way to start 2007 with a cover design featuring a veteran who lost two legs and one arm in Iraq. That did a lot more for us than Esquire's "Sexiest Woman Alive" ever did.



NEW YORK POST
OK, this isn't a magazine, nor is the cover even pretty, but this list isn't the Pulitzers, either. The New York Post deserves recognition for reporting the news (for those who care about baseball) and what seems to be the truth -- at the same time.

Tuesday, December 18, 2007

BoSacks Readers Speak Out: On Paper, Printing Trends and Circ


BoSacks Readers Speak Out: On Paper, Printing Trends and Circ.
www.bosacks.com

Re: Long Live Paper!

A very big yeah! From a paper dude! I once had a cartoon I saved from the Economist that showed a lumberjack ready to cut the last tree and and eviromentalist standing proclaiming it was the last tree and the lumberjack only had the vision of the "last chair". I really don't think we will witness the end of trees or paper (but it always strikes me a little funny). And I love the debate and the fact that we all have to work a little harder to ensure or future!
(Submitted by a Paper Person)

Re: Long Live Paper!
I just got around to reading this... On my iPhone. And I sell paper for a living.
How sad is that?
(Submitted by a paper Person)

Re: Identifying the Top Trends for 2008

Bob: Say hi to Nick , . . . He has it right! It is all about the reader. It still is simple to round up the right readers and sell them to the advertisers! Give the advertisers what they really want - response. Give 'em what they want! One more thing! Taking newsstand alone out of the total circulation mix is silly. Great, let's raise newsstand prices, but still 'sell' subs at 12 issues for 12 dollars. then we can all complain about the decline in newsstand sales, and how smart the sub folks are. Let's compare the intro sub prices (forget basic rate) on some of the same titles to their newsstand prices, and track them over the last 5 -7 years, interesting.

Oh, and by the way, how about some newsletter writers who actually worked selling ads, or circ or with full P & L responsibility. Some things are easy to criticize, but very very hard to do
(Submitted by a Senior Distributor)


RE: the-future-of-newspapers-the-problem-is-in-the-newsroom-not-the-newspaper
I guess I don't understand why "news" has to be an online medium and "information" has to be print. While there are some unique aspects to "paper technology" - emerging developments in e-paper readers and cost reductions in technology will erode this advantage over the next several years. Personally I'd like to see a tablet type portable that

allows me to download my paper or magazine or book via wireless and where appropriate read it in a design format that approximates to the analog original. Maybe the rumored ultra-portable from Apple, supposedly making an appearance at Macworld Expo in January will give some pointers to future trends.
(Submitted by a Publisher)


Re: Americans' Reading Proficiency in 'Alarming' Decline
The article asks, What are the consequences if America becomes "a nation in which reading is a minority activity"?

I know the answer to this question.

Specifically, I know what happens when people stop reading novels. Now, this article was at pains to say real *reading*, serious, manly, commercial *reading* was more important to study than an earlier NEA effort that got, I guess, bogged down in literary reading which "led critics to downplay its implications."

Novels, then, are the least of our problems: they're frills and idle pleasures, and if women want to go on reading them that's OK, but men surely don't have to, and maybe we can rework school curricula so they begin to disappear. Novels are not important.

Excuse me, but they are. Staggeringly important if it comes right down to it. This is serious, so allow me to explain.

Reading a novel requires entering the interior life of its characters. It's not a place any other art form can take you quite as fully, because you arrive there with the opportunity to reflect on your own life. (Movies, operating in real time, have extremely

limited opportunities for reflection, but thanks for playing.) By reading a novel, you develop three extraordinary skills: empathy, because a character's choices will actually make sense; sympathy, because a reader can share a character's emotions; and self-

knowledge, because the choices, circumstances, and behaviors the reader reflects on will doubtless extend his experiences, imaginary though they be, to include crucial decision about identity and self.

Let me put it another way. Could you invade Iraq if you'd read Moby- Dick and Middlemarch?

Not unless these books' insights into hubris and the nature of society's interdependence somehow eluded you. When reading a novel, I learn about myself and I learn about the world and I'm hard-pressed to think of any other thing that can teach so much, that can strengthen me so much.

I admit, reading is harder than video games. It's harder because reflection is involved. (And sometimes vocabulary, and a certain generosity toward cultural oddities of other times and places.) But reflection would be one of the last bits of baggage we'd want to discard. It is what makes society possible, tolerable, even hopeful. It is what makes death endurable, too.

So, if reading becomes a minority activity, we will have greed and useless levels of self-assurance and very little tolerance. The inner lives of others will become closed to us. That would leave us, I suppose, rather mystified by other people, and quicker still to see them as enemies. We will stop understanding each other.

Novels look like little pleasure craft floating along in society, not a causal force. But if we could dissect the fabric of thought and belief, we would surely discover that the cultivation of imagination had a great deal to do with the advances of science, and that the cultivation of empathy had a great deal to do with every bit of political, philosophical, and social progress mankind has made.

Literary reading is not a minor scrap of pleasure but the source of thinking that engages the self and world honestly and compassionately. Go ahead--try to think of something else that does.
(Submitted by an Industry Supplier)

Thursday, December 13, 2007

Is This the Future of Magazines?


Is This the Future of Magazines?
By Jon Fine
Martha Stewart sells order and comfort. Hugh Hefner sells hedonism. Tyler Brûlé sells the ideal of a life in which every aspect is excruciatingly curated and significant. I This worldview formed the basis for Wallpaper*, the iconic design magazine he founded in 1996 and sold to Time Inc. (TWX) shortly thereafter. It also underpins Winkreative, the branding and strategy agency he founded. Brûlé, who lives in London, left Wallpaper* in 2002 (though he's still with Winkreative) and earlier this year launched the monthly Monocle. In it you find a carry-over of his stylistic obsessions, fused onto a fascination with life and opportunity in regions so emergent that you've probably never heard of them. To name two: Breakaway Georgian republic Abkhazia and the Swedish- speaking Finnish archipelago-got that?-Aland.
The lens-sorry!-through which Brûlé views the world is so singular, so coolly global and far- reaching, it all but invites parody. Monocle is unquestionably the only publication to cover Taiwanese retail design, life in distant Arctic regions, and Swiss college architecture. It costs $10 per issue, and assumes of its audience a certain degree of wealth, and, perhaps above all, formidable travel habits; in the felicitous phrasing of London's Guardian newspaper, it appears to target "departure-lounge divas."

No Brûlé piece is complete without some mention of his own diva-esque moments, so here goes: At Time Inc. his expense reports were notorious for including helicopter travel. By way of defense, he says such travel was approved by his superiors.

All right, I can practically hear you rolling your eyes over all this. But Monocle is unusually-even refreshingly-ambitious, especially considering its print run doesn't yet exceed 150,000. It's something of a test-case for a different publishing model. Most individual magazines focus on one country's readers. Monocle eyes an audience that's much farther-flung; Brûlé says its 5,000 subscribers-who pay $150 a year-are spread across 79 countries. In a manner almost wholly lost at American magazines, it cherishes the primacy of a print publication as physical object. Each issue contains startling photography, multiple kinds of paper stock, and, somewhat discordantly, concludes with a manga comic. Monocle is either prescient, or steering sharply toward an audience that doesn't exist.

But Monocle and Brûlé raise two key questions: Can rarefied information be sold like a luxury product? And why does some of the most out-there global coverage and trendspotting come from a tiny new magazine masterminded by a branding agency's creative director?

The answer to the second is easy, says Brûlé, who cites shrinking international coverage in outlets ranging from the Los Angeles Times to the BBC. This gap allows idiosyncratic and smaller media players to plunge in, particularly in online realms where distribution costs are minimal. Among the new breed of internationally minded Web players is monocle.com, which smartly sidesteps putting its magazine articles online in favor of a video-heavy strategy. Another is potty-mouthed hipster title Vice, whose newish vbs.tv just parlayed a report on Iraqi metal bands into a full-length documentary.

LUXURY INFORMATION


As to whether rarefied information constitutes a luxury product, well, that's the notion that will determine whether Monocle takes off. Its advertisers already tilt toward the seriously high-end: Prada, Gucci, and the private wealth-management arm of UBS (UBS).

Still, maybe Monocle is an ill-conceived vanity play with no chance for traction beyond the few fortunates who live like Brûlé and share his painstakingly assembled interests. Or perhaps Monocle evinces a next generation of magazines: higher-end, aimed at much smaller audiences, and with a Web component more like TV than print. Brûlé's 250 days of travel a year give him a catholic sense of media possibilities. He can rhapsodize about how the digitized citizenry of South Korea and Japan still patronize newsstands crammed with sharp-looking magazines, or muse as to why German newsweeklies are more ambitious, ad-fat, and glossy than their British or American counterparts. (Weekend newspapers in Germany are less of a big deal.) An ultra-stylish and ultra-global future has already arrived for Tyler Brûlé and the lucky few like him. But for Monocle to succeed, that future will have to arrive for many more.

Wednesday, December 12, 2007

Long Live Paper!


On The Media
With BOB GARFIELD
Long Live Paper!

BOB GARFIELD:People have been predicting the death of print and paper for decades now. Here's Dr. Egon Spangler's take in Ghostbusters almost a quarter-century ago.
[CLIP]

WOMAN:
I bet you like to read a lot, too.

DR. EGON SPANGLER:
Print is dead.

WOMAN: Oh. That's very fascinating to me. I read a lot myself. I also play racquetball.

[END CLIP]

BOB GARFIELD: Dr. Spangler was a little ahead of his time, but now with the Internet, E-readers and E-Ink technology, his prediction should be coming true. Right? Not according to National Journal Media critic William Powers. In the fall of 2006, as a fellow at the Shorenstein Center at Harvard, Powers wrote a paper called Hamlet's BlackBerry: Why Paper is Eternal. He says that paper does a lot more than just fold up nicely.

WILLIAM POWERS: When you're holding a book with your hands and you're turning that page, the hands are doing a lot of work that the eyes don't have to do. The hands are telling the brain where you are, how much further you have to go, and so forth.
When you're working with a screen, your brain has to keep figuring out where you are in the text because it's not physically evident to any other part of your body. It's a very different experience, and in many ways less helpful to the brain.

BOB GARFIELD: So, even cognition is different between reading something on a screen, as I am right this second, and reading it on a printed page.

WILLIAM POWERS: Exactly - I mean, what I basically argue in my essay is that paper isn't just a container for content. It actually becomes part of the content. It affects the content because of the way it interacts with the brain. It's a technology, although we don't usually think of it as a technology.

And the one attribute that these new inventions bring to the table is refreshability, the idea that they're wired to the Web. But I actually think that that quality is in some ways a downside. I think there is something about paper's disconnection from the Web that is very appealing to people, the idea that you can't click away to another site, to an email, to something you need to check, that when you have a piece of paper in front of you, a paper medium, you are focused on just that.

BOB GARFIELD: Is the allure of turning the printed pulp-based [LAUGHS] page something intrinsic to the experience, or is it more that we're just habituated to it?

WILLIAM POWERS: You know, it may happen - I mean, it's true. This is what our brains and our bodies are used to using. However, there are many old-fashioned devices that people have been predicting would go away for generations. I cite a professor from California named Paul Duguid who talks about the hinge. Futurists have been predicting the death of the hinge for generations.

BOB GARFIELD: [LAUGHS]

WILLIAM POWERS: Science-fiction movies since time immemorial, and stories, have always had sliding doors, doors that disappear into walls.

BOB GARFIELD: [LAUGHS]

WILLIAM POWERS: No hinges.

BOB GARFIELD: Shoo-shoom! Yeah.

WILLIAM POWERS: Hinges are old-fashioned. Doors that are hinges take up space needlessly and so forth. And yet the hinge lives on because hinged doors do things for people that they like. They are expressive. You can slam doors. You can use doors to send messages. There's something about hinges that continue to work for us.
And I argue in the paper - and I know many other people sort of feel this, I think, in their guts when they use paper - there is something about paper that really, really works that has worked for 2,000 years and it's going to be very hard to replace it.

BOB GARFIELD: Couldn't this all come down just to the mundane issue of cost, that it's just a lot cheaper to do things digitally than to deforest the landscape?

WILLIAM POWERS: Yes. That could well kill off paper. I think it is already killing off certain kinds of paper media. And, in fact, I get into this in the essay. There are kinds of content that don't require paper. And I actually think that most of what newspapers do, the breaking news function, is much better suited to digital media. And this is why people have migrated to the Web for breaking news, and are moving away from newspapers. That intuitively makes perfect sense to me.
The one thing that newspapers do that doesn't work as well in digital media is the longer form kind of journalism - features stories, longer investigative pieces.

BOB GARFIELD: But magazines, you think, have a better chance of surviving in their non-digital form, and books as well, I suppose. Is the future of books on pulp-based products indefinitely?

WILLIAM POWERS: I think books have the greatest chance of surviving on paper, some kind of paper - maybe not pulp-based. And there are green papers that I have used, that are almost a kind of plastic, that are wonderful and that really work and that could be, if paper is staying with us, could be the future of paper.
You know, all these E-books and E-readers that are being developed, what they're all trying to do is what a book already does. And whereas where I think magazines might one day find a vehicle online that matches the paper version, I really have doubts about books.

BOB GARFIELD: Okay. So you wrote this piece, which, I'm sorry to report, I read on a computer screen.
[LAUGHTER]

And it makes some pretty interesting assertions about our relationship to paper and its future. What has been the reaction?

WILLIAM POWERS: The reaction was surprising to me in that a lot more people were interested in this paper than I expected. And I continue to get email from fans of paper. Almost everybody who writes me says, thank you, you know, I've been waiting for someone to weigh in on paper.

BOB GARFIELD: And let me ask you a question. Have any of the congratulations come in the form of nice notes on stationery?

WILLIAM POWERS: Yes. Some people have written me on very nice pieces of paper. I must also say a lot of the people who email me make a point of telling me that after downloading the PDF they printed it out before reading it. I love that.
BOB GARFIELD: Well, Bill, it's always a pleasure. Thank you so much.

WILLIAM POWERS: Thank you, Bob. I enjoyed it.

BOB GARFIELD: William Powers wrote Hamlet's BlackBerry: Why Paper is Eternal as a fellow at the Shorenstein Center for Press, Politics and Public Policy at Harvard University.

BoSacks Speaks Out: On Samir Husni's Vision of Journalism


BoSacks Speaks Out: On Samir Husni's Vision of Journalism

I am continually mystified by Samir Husni's continued attachment and fixation to a publishing world where only paper is important. Is there no room in his heart for a meaningful pixel or two?

"The problem is in the newsroom, not the newspaper" is a pretty good article where Samir almost gets it right.The real problem in the newsroom, and in the heads of some friends and pundits, is that they seem to forget that it is actually the words, the journalism, the thinking, and the final distribution of that wisdom, that contains any meaningful importance.

Why does it matter so much if it is paper or plastic? What is the difference? Who really cares? The problem is in the newsroom . . . yes. And most newsrooms are getting better and better, embracing the electronic distribution of their hard, journalistic work. Is that wrong? Should they stop the electronic distribution model now? Is there really no hope for a significant digital future? Is paper the only way to share information?



Samir, are you going to tell me that it ain't journalism, if it ain't on a paper substrate?

Words don't know and don't care how they are read. They just want to be understood.

BoSacks
-30-


"There isn't any symbolism. The sea is the sea. The old man is an old man. The boy is a boy and the fish is a fish. The sharks are all sharks, no better and no worse. All the symbolism that people say is shit. What goes beyond is what you see beyond when you know."
- Ernest Hemingway




The future of newspapers: The problem is in the newsroom, not the newspaper

I recently gave a speech at the Paper and Pulp Products Council (PPPC) European Summit in Brussels, Belgium on the future of ink on paper and the magazine and newspaper's future as we know it today. I noted that the problem is not with the medium but rather the problem is with the message. In fact, after further reflection and several visits with newspaper newsrooms both in the U.S. and in other parts of the world, I am more of the opinion now that the problem is rather with the newsroom also and not only with the message. In fact, I do not know if we can separate our message problems from our newsroom problems.

The majority of the newsrooms that I have visited are still operating in the same way they operated when I was working in a newsroom as if nothing has changed. Yes, we no longer use typewriters (we are talking 70s here) but we still have the beat system and the division of the newsroom between reporters, writers, editors and designers. The territorial divisions in the newspaper are still alive, well and kicking the newspaper to its grave. Try to tell the folks in the newsroom that the reporter from the city council beat needs to work with the reporter from the world beat and see what will happen. Try to tell the reporters to ignore yesterday's news because their readers have already heard and seen the news and see their reaction. The newsroom has to go beyond the news and the reporters working there have to do the same.

As we move to adapt in this rapidly moving technology era, we need to make sure that our reporters and editors will focus their content on the right medium. That is why some forward thinking newspapers are moving more in the direction of content editors and directors rather than news editors.

I believe that we need to have two newsrooms in each paper, one to operate the on-line edition which will continue to operate like the old fashioned newsroom with beat reporters whose sole job is to chase and report the news (from their virtual office to the web directly) and a contents-room for journalists who are going to stop the news-race and rather focus on analyzing and studying the news in order to create information out of the news as the editor-in-chief of the Dutch newspaper nrc·next Hans Nijenhuis likes to say, "News is free, but information is not." He told Monocle magazine last month, "We feel that Next is actually a daily magazine. Traditional papers are done page by page and sent off to the press to be put together. At Next we put all the pages on the floor at 18:00 and see how it works as a whole . . . "

The technology of paper (and yes paper is a technology for those who tend to forget that) may no longer be the best home for most of the news, but it sure IS the best technology to provide the information that is needed to link our yesterday with our tomorrow. The good paper technology still provides its customers with a "beyond the news" detailed information that as Bruce Brandfon, the publisher of Scientific American says "will have a profound impact" on its users. We must keep that in mind and start to implement that profound impact in our newsrooms.

Change should start from within, or the prophets of doom and gloom will continue to predict the demise of the newspapers. A paper (notice that I did not use newspaper) must be that, a paper that offers unique journalism that will have that profound impact on the lives of its readers whether political, culture, financial, or even entertainment and lifestyle (Such as in the British paper The Independent). Profound is the key for a successful journalism paper in this century and beyond. The fun thing about the aforementioned is that it is not new. The necessity of journalism is as important today as it has ever been. The only change is in the way journalism is delivered. The paper technology is great for some journalism and the web technology is great for some other journalism. The key is to change and adapt. Change must come from the inside, inside the newsroom, otherwise, newspapers will be committing mass suicide in this country and their numbers will continue to drop. If your newspaper is not necessary and sufficient you can start counting the days to the grave, and if you are still talking about the need to change, IT IS TOO LATE.

The papers in this country can still have a great future if we free the newsroom and the way we do business in the newsrooms. Trimming the staff, redesigning the paper and closing national and overseas offices are nothing but band-aids on a major, deep cut that will not help the healing process. Now is the time to hit the brakes and rethink our entire strategy of the future. A strategy that should begin today and it should begin from within the newsroom.

Tuesday, December 11, 2007

In magazines, the haves and have-nots


In magazines, the haves and have-nots
This has been a tough year, and 2008 looks tough
By Lisa Snedeker


For the longest time, the fortunes of the magazine industry were predictable, rising when the ad economy was good, sinking when marketers cut back on their spending.

That started to change several years ago. Magazines began coming back from the ad recession that set in in 2001, but it was no longer a case of a rising tide lifting all ships. In particular, business titles and newsweeklies continued to struggle. It was a selective recovery.

A fundamental change had set in. The magazine business had divided into the haves and have-nots, those that saw their pages again fill with ads, such as the fashion titles, and those that continued to struggle for every ad.

The reality is that the magazine industry has been forever changed, and it's not just the result of competition from the internet.
Magazines are no longer a given for readers and advertisers. In these new, harsher times, they are having to set themselves apart as unique brands with passionate readerships that speak louder than mere numbers on sell sheets.

It's no longer a matter of competing against other titles in a category. Magazines must now compete against all other media, both for readers and advertisers, and with more media options out there it becomes harder by the day.

All this forebodes a nasty shakeout.
It's already begun. Indeed, 2007 saw a number of titles fold, many long-established, among them Business 2.0, Life, Child, Premiere, Stuff and most recently House & Garden, the 100-plus year-old shelter magazine published by Condé Nast.

Ad pages will almost certainly be down for the year, based on the most recent figures from September, with pages off 1.1 percent through the first nine months of the year and off 2.3 percent for the third quarter alone.
Year 2007 will also likely see the least new magazine launches in years, around 750, well down from the 1,065 in 1997, one of the last boom years, or for that matter the 901 that launched in 2006.

Funding for new titles has gotten scarce, both on the part of major publishing houses and the deep-pocketed private investors who had long been drawn to the glamour of publishing.
Magazines have lost a lot of their glamour. Big money is now investing elsewhere. As Samir Husni, the University of Mississippi professor who tracks magazine launches, put it so succinctly to Media Life over the summer, "The industry has entered a dark tunnel. The only thing they can see is the train coming."

Year 2008 promises more of the same. On the downside, more magazines will fold. We will likely see shakeout in weaker categories, such as celebrity and teen titles, which media people have long believed are overcrowded. Fewer new titles will launch.
Overall ad pages will continue to shrink, and the business and personal investing categories will continue to struggle, as will the newsweeklies.

We will also likely see magazines cutting their circulation. That's one prediction of media planners and buyers in a recent Media Life poll. Media buyers see that as the big trend to look for in 2008.

It certainly makes sense.
Hefty circulations become increasingly costly to maintain with the rising costs of adding new subscribers and printing in general. But there's also a notable trend among media buyers away from quantity--how many readers a magazine claims to have--toward the quality of that readership, and how committed they really are to that magazine.
This is not new. It's a trend that's been building over a number of years. What's new is the will among publishers to act on it by slashing away marginal readers. In late 2006, Time magazine chopped its rate base from 4 million to 3.25 million.

Rate base cuts will be a positive for magazines.
There will be others positives in 2008.

We will see the launch of more regional titles, reflecting the continuing diversification of local media markets with the further erosion of newspapers' dominance of those markets. Local magazines have done very well in recent years, and they continue to do so even with the troubles plaguing real estate, a huge ad category for them.

We will see more specialized titles aimed at unique, clearly defined readership bases. The enthusiast titles have long done well, weathering a lot of the erosion that's afflicted general-interest magazines. They've done well because they have strong, devoted readerships.

In 2008, we will see more bold moves to introduce change to how magazines are sold to advertisers, such as Time's plan, announced at the time of its rate-base cut, to offer advertisers the option of buying pages based on its total audience of nearly 20 million readers, rather than circulation.

The idea was to begin selling magazine advertising the way television is sold, and media buyers at the time applauded Time and publisher Ed McCarrick for advancing the idea, even as they predicted resistance on the part of the buying community.

We will see magazines do a far better job of integrating their web and print editions, both for readers and advertisers. Publishers have gotten a lot smarter about how the web can help build their print brands, which is for the good.

We will see publishing launching online-only publications, as Felix Dennis has done in the UK with Monkey, a title aimed at young men.

We could also well see in 2008 some very interesting new print magazines launching.
As much as this harsh new climate has discouraged a number of launches that might have gone forward a decade ago, there will still be entrepreneurs out there who will dare push forward with big ideas, and their chances of succeeding are no worse now than a decade ago.

We could well see really smart new launches coming from the big publishing houses as well. Among the big launches last year was Condé Nast's Portfolio, and it launched against huge doubts, as yet another business title in an already overcrowded field. By all accounts, Portfolio is doing well.

If anything, turmoil in any market creates opportunity, and the turmoil in magazine publishing will encourage new ways of thinking that would have been dismissed in more stable times.

Lisa Snedeker is a staff writer for Media Life.
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Sunday, December 09, 2007

Can Time Inc.'s Maghound Concept Work?


Can Time Inc.'s Maghound Concept Work?
By Kristina Joukhadar

Several stories have been written about Time Inc.'s upcoming Maghound offering, but so far, no one has really explained how it will work.

Will publishers be leery of working with Maghound?

"I hope not!" says Dave Ventresca, president of Maghound, which is spearheaded by Time Consumer Marketing.

"It will help in terms of efficiencies to have the Synapse technology residing in CT, having the resources and the publisher relations'there will definitely be some cooperation and a supportive role, along with support from other Time Inc. divisions, but Maghound will be led by Time Consumer Marketing.

While some publishers may be hesitant to join a program that might pirate some of their regular subscriptions, Ventresca says that in a live market test, the majority of consumers selected new brands, not the titles of their existing subscriptions. In the MAGHOUND environment, we feel that more people will be reading more magazines longer than with the traditional subscription model.

What about the concept?

Maghound is not selling traditional subs, but rather, a membership in a service, says Ventresca. "We're offering a better way to order and manage magazines that come into your house [single copy]. You get a set number of titles for a monthly fee with no term.

"You are charged month to month, and are not linked to just one brand. So in month one, you can get magazines A, B and C; and in month 4, you can switch to magazines D and E."

What are the practical concerns?

"We're pretty confident we can do this," says Ventresca. Time Customer Service and CDS and Palm Coast/Kable--all the major fulfillment systems--have said they can work with this. We've painted it all in broad strokes and some operational definitions remain, but we have the fulfillment solution figured out."

The current delivery system and consumer pricing levels will make it impossible to get issues out any faster than with a traditional subscription, Ventresca says. "You're still dealing with the same fulfillment calendars, the same printers, so it¹s hard to shrink. And the database selection dates are done in advance.

"It's not faster, but it will be an improvement in the expectations of the consumers, because with the account screen online, they will know approximately when they will receive all of their issues.

"For example, it will tell them 'The first issue of magazine A will be the January issue, due to arrive the third week of December.' We have postal experts working on this and they know good delivery times. All copies will qualify for the periodicals rate, presorted in with the regular run.

"Each magazine's fulfillment calendar will be known," he says, "so if the consumer selects the magazine in January, February, etc., we'll know when they send the order to the database. You need to build the fulfillment system to be scalable, reliable, cost effective, and we're doing that."

Will consumers buy their copies online?

Ventresca says the beauty of the Maghound system will be its ease of use for the consumer. "There is no term and full flexibility. Consumers will manage online in one screen. The switching is easy when there's no term. They are charged a monthly fee, by credit card and Pay Pal."

Will it meet the auditing requirements?

The Audit Bureau of Circulations reporting has been gone over multiple times, Ventresca says. "It's good circulation, paid for by real consumers with real dollars, and the orders are placed in a magazine centric environment. For the time being, at least, it will temporarily count toward single copy sales.

"When there's more volume in the future, it might evolve into its own classification on the ABC audit report. As far as the value to advertisers, it's great circulation. For a flat fee, you can choose from hundreds of magazines, which demonstrates 'wantedness.'"

What data will publishers receive?


The Maghound database will be separate and contain only the magazines and members in the program. Because of the nature of its financial relationship with its members' services, and the fact that these are not subscribers, Maghound will own the customer data and will not be able to share it with other publishers (including Time Inc.) for promotional purposes. You can¹t release the names, as members wouldn't want their data shared.

How will the finances work?

There will be full reporting for publishers, issue by issue, with how many copies were sold, particularly for new members. For example, the report will include: "Publisher, Magazine, cover date, no. of copies distributed, no. paid and no. sent to new members as part of the free trial or bad credit card debt," says Ventresca.

"Publishers will receive a fixed dollar amount per issue sold per title with a certain amount for every copy--the amounts will differ by class of title. A lot of magazines have experienced unproductive circulation on their files, and this circ will have positive payments. It could be used to replace less attractive or more expensive circ."